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8:45am MDT

9:00am MDT

(Workshop) Cultivating Competencies: Conceptualizing Inclusive Mentorship Room 255 D (Salt Palace)Céline Wachsmuth • Alisha Andrews (Tour) Spiral Jetty and The Golden Spike National Park ($389) TBA (Workshop) Caring for Neon Light-based Art (+ $165) Salt Palace Convention CenterJoy Bloser • Madeleine Neiman • Ellen Moody • Taylor Healy • Getty Conservation Institute (Workshop) Introduction to Digital Preservation and Storage (+ $165) J. Willard Marriott LibraryAmy Brost • Jonathan Farbowitz • Tawnya Mosier Keller • Alexandra Nichols • Peter Oleksik

10:00am MDT

(Workshop) Collections Emergency Response and Recovery (+ $165) Salt Palace Convention CenterRebecca Kennedy

12:30pm MDT

(Tour) Driving Architectural Tour with Interior Tours and Walking Stops ($75) TBA

1:00pm MDT

(Tour) Behind the Scenes: The Beehive House Under Renovation ($15) TBA (Tour) Horseback Riding in the Utah Buttes ($89) TBA (Tour) City E-Bike Tour ($110) TBA (Tour) LDS Church History Library Preservation Tour ($15) TBA

1:30pm MDT

(Pre-Session) Scholarly Writing in Conservation Room 355 D (Salt Palace)Julio M. del Hoyo-Meléndez • E. Keats Webb

2:30pm MDT

(Tour) Historic and Modern Walking tour of South Temple Street without Governor’s Mansion ($15) TBA

4:00pm MDT

AIC Awards Ceremony Room 155 BCEF (Salt Palace)Suzanne Davis

6:00pm MDT

(Reception) Exhibit Hall Opening Reception Exhibit Hall: Hall 1 (Salt Palace)

7:00pm MDT

(Reception) Meet the AIC Board & Nominating Committee Exhibit Hall: Hall 1 (Salt Palace)Suzanne Davis • Corina Rogge

7:30pm MDT

(Reception) CIPP Happy Hour TBA (Reception) ECPN Happy Hour TBAGetty Conservation Institute

8:30am MDT

(Opening) Welcome Room 155 BCEF (Salt Palace)

8:55am MDT

(Opening) In Honor of Juneteenth: Conservation of General Order #3 at the National Archives Room 155 BCEF (Salt Palace)Sonya Barron • Sonya Barron

9:10am MDT

(Opening) Investing in African American Community Engagement at the UCLA/Getty Conservation Program Room 155 BCEF (Salt Palace)Anya Dani • Anya Dani

9:25am MDT

(Opening) Stitching Memories: Collaborating with Trans Survivors to Preserve Their Photographic Histories Room 155 BCEF (Salt Palace)Carolina Nastri • Figueredo Carolina • Ornela Vega • Carolina Nastri

9:40am MDT

(Opening) Creating A Preservation Program: The Challenges of Engaging The Public Room 155 BCEF (Salt Palace)Amy Barry • Amy Barry

10:00am MDT

Break in The Exhibit Hall Exhibit Hall: Hall 1 (Salt Palace) (Poster Session) May 22-23, 10 am to 5:30 pm - Abstracts listed at the end of the schedule for readability only Exhibit Hall: Hall 1 (Salt Palace)

10:40am MDT

(Opening) A New Discovery of Chiura Obata’s Drawings Room 155 BCEF (Salt Palace)Yoshiyuki "Yoshi" Nishio • Luke Kelly • Stacey M Kelly • Kyoichi Itoh • Stacey M Kelly • Yoshiyuki "Yoshi" Nishio

10:55am MDT

(Opening) “It Depends”: Teaching Undergraduate Conservation Students to Navigate and Embrace the Shades of Gray Room 155 BCEF (Salt Palace)Madeline Hagerman • Madeline Hagerman

11:10am MDT

(Opening) “Distant; Digital; Dangerous?" Novel Approaches to Contemporary Risk Management, Object Access, and Display at The Victoria and Albert Museum Room 155 BCEF (Salt Palace)Vanessa Applebaum • Clair Battisson • Vanessa Applebaum

11:25am MDT

(Opening) They Say Life Is Full of Surprises… It’s an Occupational Hazard for Filming Conservators Room 155 BCEF (Salt Palace)Claire Fry • Victoria Marsland • Charlotte Tomlin • Claire Fry • Charlotte Tomlin

11:40am MDT

Open Discussion Room 155 BCEF (Salt Palace)

12:00pm MDT

(Luncheon) Easel Exchange (+ $39 / $29) Room 259 (Salt Palace)Julianna Ly (Luncheon) Objects Tips Lunch (+ $39 / $29) TBA (Luncheon) Proactive and Reactive: Seismic Preparedness and Lessons Learned (+ $39/$29) TBA (Luncheon) Socratic Dialogue: What to do with lacunae (+ $39 / $29) TBAWilliam Wei (Contemporary Art) INCCA/CAN! Speed Mentoring Room 257 B (Salt Palace)

12:45pm MDT

Exhibit Hall Demo - New Sustainable Glazing Product Research Exhibit Hall: Hall 1 (Salt Palace)Tru Vue Inc.

1:45pm MDT

Exhibit Hall Demo - Acoustic Emission Monitoring Video Exhibit Hall: Hall 1 (Salt Palace)Getty Conservation Institute

2:00pm MDT

(Archaeological Heritage, Preventive Care) Underground Conservation: How the Geosciences and Humanities Can Preserve Historic Cemeteries Room 355 C (Salt Palace)Amy Van de Riet • Ben Terwilliger • Grace Awbrey • Blair Schneider • Grace Awbrey (Architecture) Architectural Artwork Removals: The Good, The Bad, and The Surprising Room 255 F (Salt Palace)Tania Alam • Kevin Daly • Tania Alam • Kevin Daly (Book & Paper) New Applications of Lascaux Acrylic Adhesive For Book and Paper Conservation Room 155 BC (Salt Palace)Quinn Morgan Ferris • Marco Valladares • Quinn Morgan Ferris • Marco Valladares (Contemporary Art, Private Practice) Close and Continuous Collaboration: Stewardship in the Conservation of the New York’s Empire State Plaza Collection Room 355 B (Salt Palace)Alfred Lippincott • Abigail Mack • Ellen Rand • Sarah Montonchaikul • Sarah Montonchaikul (Objects) Cannon Care: Resource for Understanding Iron Cannon Coatings and their Preservation Room 155 EF (Salt Palace)Fran E. Ritchie • Liatte Dotan • Nicole Peters • Liatte Dotan (Paintings) A Darkened Canvas and a Mysterious Hand: Analytical Investigation and Sustainable Approaches to the Cleaning of Morris Louis ‘Slide’ (1962) Room 255 BC (Salt Palace)Per Knutås • Soraya Alcala • Silvia Russo • Soraya Alcala (Photographic Materials) New Originals and Former Originals: Jeff Wall’s Trân Dúc Ván Room 255 E (Salt Palace)Jessica Keister • Mary Wilcop • Travis K. Snyder • Chris Michaels • Jessica Keister (Research & Technical Studies) “There Is No Such Thing as a Green Solvent:” Updates from Sustainability in Conservation’s Greener Solvents Project Room 355 EF (Salt Palace)Rosie Grayburn • Gwendoline Fife • Lisa Clifford • Lucile Pourett • Naomi Toyama • Gwendoline Fife • Rosie Grayburn (Textiles) Nizhónígo Hadadít’eh: Mounting Diné Textiles For Exhibition Room 255 A (Salt Palace)Anna Rose Keefe • Jessica Urick • Sháńdíín Brown • Sháńdíín Brown • Anna Rose Keefe • Jessica Urick (Wooden Artifacts) Unwrapped: Four Hundred Years of European Picture Frame History Finally Revealed at The Ago Room 255 D (Salt Palace)Julia Campbell-Such • Julia Campbell-Such

2:30pm MDT

(Archaeological Heritage, Preventive Care) Rediscovering Princess Carolina: Preventive Conservation as a Catalyst for Reengaging with an Archaeological Collection Room 355 C (Salt Palace)Elsa Sangouard • William Hoffman • William Hoffman (Architecture) Cultural Heritage Relocation and Reinterpretation of Collections: The Professional's Dilemma Room 255 F (Salt Palace)David Wessel • David Wessel (Book & Paper) Making a Chinese Woodblock Print Easy on the Eye: Merging Chinese Aesthetics with Western Conservation Methods Room 155 BC (Salt Palace)Ping-Chung Tseng • Ping-Chung Tseng (Contemporary Art, Private Practice) Private Practice, Public Impact: A Collaboration in Preserving Michael Richards' Legacy Room 355 B (Salt Palace)Eugenie Milroy • Melissa Levin • Anne L. King • Alex Fialho • Anne L. King • Eugenie Milroy (Objects) The Lion, the Saint, and the Red Robe: Technical Study and Treatment of a 17th-Century Wax Diorama by Caterina de Julianis Room 155 EF (Salt Palace)Adrienne Gendron • Georgina Rayner • Katherine Eremin • Angela Chang • Adrienne Gendron (Paintings) Discovering Dalí Room 255 BC (Salt Palace)Allison Langley • Katrina Rush • Allison Langley • Katrina Rush (Photographic Materials) Exposing A Photographer's Vision: The Hirshhorn Hologram and Its Many Challenges Room 255 E (Salt Palace)Stephanie Lussier • Taylor Healy • Gwenaelle Kavich • Thomas Lam • Shannon A. Brogdon-Grantham • Tess M. Cramer • Tess M. Cramer • Stephanie Lussier (Research & Technical Studies) Safer Solvent Selection for the Removal and Application of Synthetic Resins Room 355 EF (Salt Palace)Melinda H. Keefe • Rosie Grayburn • Alan Phenix • Gwendoline Fife • Bethany Karl • Robert Wright • Vikram Prasad • Melinda H. Keefe (Textiles) Preserving a Confederate Spy Balloon: Adhesive Treatment of Coated Silk Room 255 A (Salt Palace)Kayla Silvia • Kayla Silvia (Wooden Artifacts) Everything’s Shrine: Removing Difficult Coatings on a Carved Jain House Shrine and Advocating for Realistic Treatment Timelines Room 255 D (Salt Palace)Kelly Marie Rectenwald • Kelly Marie Rectenwald

3:00pm MDT

(Wooden Artifacts and Poster Session) A Preliminary Look At Surface Finishes on 19th-Century Tibetan Furniture Room 255 D (Salt Palace)Jessica Chasen • Laura Maccarelli • Jessica Chasen (Archaeological Heritage, Preventive Care) Preventive Conservation of Archaeological Metals At The Japanese Institute of Anatolian Archaeology In Turkey Room 355 C (Salt Palace)Alice Boccia Paterakis • Ian MacLeod • Alice Boccia Paterakis (Architecture) Taking It Back: Unveiling The Original 1897 Finishes of the Chicago Cultural Center GAR Rooms Room 255 F (Salt Palace)Katharine George • Samantha Van Kollenburg • Katharine George • Samantha Van Kollenburg (Book & Paper) Soluble or Not? Research Outlining Solubility of Water-Soluble Pencils and Pastels Room 155 BC (Salt Palace)Rosaleen Hill • Scott Williams • Lindsay Sisson • Jennifer Poulin • Lindsay Sisson (Contemporary Art, Private Practice) Wade Guyton’s Inkjet Paintings: Artist’s Materials, Technique, and Conservation Challenges Room 355 B (Salt Palace)Giuliana Moretto • Giuliana Moretto (Objects) Navigating The Changing Course: The Evolving Treatment Protocol for the Smithsonian National Air and Space Museum's 1896 Lilienthal Glider Room 155 EF (Salt Palace)Malcolm Collum • Daniel Ravizza • Maggie Bearden • Jay Flanagan • Deborah Duerbeck Parr • Deborah Duerbeck Parr (Paintings) Afraid of The Unknown? What Are Barnett Newman’s Reds, Yellows and Blues? Room 255 BC (Salt Palace)Corina Rogge • Bradford Epley • Corina Rogge (Photographic Materials) An Investigation of Additives In Resin Coated Papers Room 255 E (Salt Palace)Tess Bronwyn Hamilton • Tess Bronwyn Hamilton (Research & Technical Studies) Barriers To Embedding Sustainability In Conservation Education and Practice Room 355 EF (Salt Palace)Ellen Pearlstein • Justine Wuebold • Glenn Wharton • Chedeya Brown • Ellen Pearlstein • Justine Wuebold (Textiles) Measuring Deformation of Tapestries: Focusing on Mechanical Stress During Vertical Display Room 255 A (Salt Palace)Kisook Suh • Alejandro Schrott • Kisook Suh

3:15pm MDT

(Wooden Artifacts and Poster Sessions) The Use of Fiber Optics Spectroscopy for the Identification of Wood Room 255 D (Salt Palace)Aaron Shugar • Elly Stewart Davis • Elly Stewart Davis

3:30pm MDT

Break in the Exhibit Hall Exhibit Hall: Hall 1 (Salt Palace)

4:00pm MDT

(Textiles) Inexpensive Methods for Small-Scale Digital Textile Printing Room 255 A (Salt Palace)Jacquelyn Peterson-Grace • Jacquelyn Peterson-Grace (Preventive Care) Are We There Yet? Facilitation Is Our Preventive Conservation Future Room 355 C (Salt Palace)Rebecca Fifield • Rebecca Fifield (Architecture) What If We Find Hoffa? Managing Large Scale Uncertainties Room 255 F (Salt Palace)Xsusha Flandro • Xsusha Flandro (Book & Paper) Plotting a Treatment: The Delamination and Bathing of an Eighteen Foot Manuscript Map Room 155 BC (Salt Palace)Allison Holcomb • Allison Holcomb • Sara Leonowitz (Contemporary Art, Private Practice) The '80s Fascination with Tech Art and Their Conservation Challenges Room 355 B (Salt Palace)Emmanuelle Perron • Emmanuelle Perron (Objects) Tropical Treatment: Testing the Efficacy of Pineapple, Papaya, and Kiwi Juices in the Removal of Adhesives Room 155 EF (Salt Palace)Mariana Di Giacomo • Anna-Colette Haynes • Jasmine Keegan • Mariana Di Giacomo (Paintings) Shedding Light on the Master of Light: Technical Studies of Five Paintings by Joaquín Sorolla y Bastida Room 255 BC (Salt Palace)Karen Trentelman • Devi Ormond • Kendall Francis • Olivia Kuzio • Kendall Francis (Photographic Materials) Polaroid 20×24: Characterization and Investigation of Treatments and Preservation Methods Room 255 E (Salt Palace)Paulina Miasik • Sylvie Penichon • Paulina Miasik (Research & Technical Studies) A Hairy Situation: Revisiting the Species Attributions of Meret Oppenheim’s Fur-Lined Teacup at the Museum of Modern Art Room 355 EF (Salt Palace)Dan Kirby • Kyna Biggs • Caitlin Gozo Richeson • Nathan H. Lents • Selin Ates • Kyna Biggs • Caitlin Gozo Richeson (Wooden Artifacts) Time May Change Me: A 17th Century Kas Room 255 D (Salt Palace)Emily McClain • Kathy Gillis • Emily McClain

4:15pm MDT

(Textiles and Poster Session) No Time to Dye: Simulating Dye Recipes with the “Test Tube Method” Room 255 A (Salt Palace)Abigail Lenhard • Abigail Lenhard

4:20pm MDT

(Preventive Care) Purple Tea, Firebrats, and Vibrations: Activating an 18th Century Gilded Salon in a 21st Century Arts & Design School Housed in a 19th Century Building Room 355 C (Salt Palace)Mary Coughlin • Mary Coughlin

4:30pm MDT

(Architecture) Them's the Breaks: Managing Conservation Through Construction Room 255 F (Salt Palace)Jennifer Kearney • Jennifer Kearney (Book & Paper) Will The Circle Be Unbroken?: A Case Study in Addressing Acceptable Loss, Historic Conservation Techniques, and Project Burn Out on a 1732-1796 South Carolinian Church Register Room 155 BC (Salt Palace)Jessica H. Henze • Kathryn Boodle • Audrey Jawando • Kathryn Boodle • Jessica H. Henze (Contemporary Art, Private Practice) A Framework for Sustainable Courier Practices: Developing a Bookend Courier Workshop and Network Room 355 B (Salt Palace)Lauren Fly • Samantha Springer • Lauren Fly • Samantha Springer (Objects) Behind the Scenes with Joe Kubert, Comic Book Legend (and Tape Enthusiast): Conserving and Displaying an Artist's Desk Room 155 EF (Salt Palace)Leah Humenuck • Leah Humenuck (Paintings) Titian Transformed: Thoughts on the DIA's Recently Treated Judith and Her Maidservant with the Head of Holofernes Room 255 BC (Salt Palace)Ellen Hanspach-Bernal • Ellen Hanspach-Bernal (Photographic Materials) When the Pellicular Burlesque Turns into the Pellicular Nightmare Room 255 E (Salt Palace)Marie-lou Beauchamp • Marie-lou Beauchamp (Research & Technical Studies) Novel Non-Invasive Method for Extracting Proteinaceous Binders from Panel Paintings Room 355 EF (Salt Palace)Jin Dong • Zhanyun Zhu • Zhanyun Zhu (Textiles) Tradition and Innovation: Evaluating Conservation Treatments for a Buddhist Embroidery Mounted as a Hanging Scroll Room 255 A (Salt Palace)Sara Ribbans • Sara Ribbans (Wooden Artifacts) The Dahshur Boat of Senwosret III: An Analytical Study of a 4,000-Year-Old Wooden Boat Room 255 D (Salt Palace)Gretchen Anderson • Lisa Haney • Mostafa Sherif • Mostafa Sherif

4:40pm MDT

(Preventive Care) Traditional Methods of Caring for Cultural Heritage, Reimagined: A Look at Preventive Care in Rajasthan, India Room 355 C (Salt Palace)Elizabeth Salmon • Elizabeth Salmon

5:00pm MDT

(Research & Technical Studies and Poster) Developing Genomic Tools to Determine the Maker of a Modern Gofun Paint Preparation Room 355 EF (Salt Palace)Christopher Mason • Julie Arslanoglu • Jennifer Perry • Ann-Marie Abunyewa • Ann-Marie Abunyewa (Preventive Care) Street v. Art: A Case Study of Mold Remediation and Community Participation at the George Floyd Global Memorial Room 355 C (Salt Palace)Nylah Byrd • Nylah Byrd Photographic Materials Tip Session (Architecture) From the Ground Up: Revisiting San Xavier’s Main Cupola 29 Years Later Room 255 F (Salt Palace)Matilde Rubio • Timothy L. Lewis • Starr Herr-Cardillo • Susie Moreno • Nancy Odegaard • Starr Herr-Cardillo • Matilde Rubio (Book & Paper) A Medley of Map Treatments Room 155 BC (Salt Palace)Heather Hendry • Heather Hendry (Contemporary Art, Private Practice) Expect the Unexpected: Navigating the Complexities of Government Bureaucracy in Conservation Room 355 B (Salt Palace)Angela Campbell • Angela Campbell (Objects) On with Her Head: The Treatment and Technical Study of a Queen Elizabeth II Doll from the 1950s Room 155 EF (Salt Palace)Alyssa Rina • Catherine Matsen • Alyssa Rina (Paintings) While Angels Watched; Restoration of Thomas Cole's Monumental Painting, The Angel Appearing To The Shepherds Room 255 BC (Salt Palace)Mark Lewis • Marla Curtis, [PA] • Jennifer Myers • Katelyn Rovito • Catalina Vasquez- Kennedy • Mark Lewis • Katelyn Rovito (Wooden Artifacts) Cutting Corners: Reframing 3D Technology in the Conservation of a 19th C. Gilded Frame Room 255 D (Salt Palace)Elly Stewart Davis • Elly Stewart Davis

6:30pm MDT

(Reception) ASG, OSG, and RATS at the Clubhouse ($55 members/$29 students) The ClubhouseConserv (Reception) BPG and PMG at Red Butte Gardens ($65 members/$35 students) Red Butte Garden OrangerieUniversity Products • GUNNAR USA, INC. (Reception) PSG, TSG, CAN!, and EMG at Utah Museum of Fine Arts ($60 members/$29 students) Utah Museum of Fine ArtsKremer Pigments Inc.

8:15am MDT

(Workshop) Respirator Fit Test (+ $39) TBA

8:30am MDT

(Poster and Book & Paper Sessions) Analysis and Assessment of the Degradative Properties of Strawboard as a Secondary Support Room 155 BC (Salt Palace)Rebecca Ploeger • Theresa J. Smith • Jenni Krchak • Aaron Shugar • Jenni Krchak (Architecture, Preventive Conservation) Better Maintain Than Preserve: Preservation Maintenance as a Primary Tool for Historic Preservation Room 255 F (Salt Palace)Colin Cohan • Colin Cohan (Contemporary Art) Poured Color: The Pigmented Latex Rubber Artwork of Lynda Benglis Room 355 B (Salt Palace)Christina Bisulca • Elizabeth Homberger • Margo Delidow • Margo Delidow (Electronic Media) The Migration of Gary Hill’s Interactive Video Installation Tall Ships (1992) Room 255 D (Salt Palace)Samantha Owens • Cass Fino-Radin • Daniel Mauro • Cass Fino-Radin • Samantha Owens (Objects) The Surrealist and the Saint: A Two-Sculpture Journey into Marisol and the 1960s Room 155 EF (Salt Palace)Rebecca Ploeger • Emily Hamilton • Jiuan Jiuan Chen • Aaron Shugar • Ruthie Rolfsmeyer • Ruthie Rolfsmeyer (Paintings) Blurred Lines: Techniques, Materials, and Ethical Considerations in Conserving the Hard-Edge Paintings of Leon Polk Smith Room 255 BC (Salt Palace)Kelsey Marino • Elizabeth Nunan • Kaitlin Ammon • Elizabeth Nunan (Research & Technical Studies) Advancing Conservation Techniques Through Deep Learning of Optical Coherence Tomography Images For Classifying Kozo-Fibered Papers Room 355 EF (Salt Palace)Yi Yang • Sarah Reidell • Ayush Kale • Yuwei Liu • Xuan Liu • Yi Yang (Sustainability) Sustainability Committee Session - A Toolbox for Spurring Climate Action Room 355 C (Salt Palace) (Textiles) Treatment in Reality: The Conservation of an 18th Century Painted Silk Gown from the Collection of Asian Civilisations Museum, Singapore Room 255 A (Salt Palace)Chuance Chen • Chuance Chen

8:45am MDT

(Book & Paper and Poster) The Production and Deformation of Drying Boards Room 155 BC (Salt Palace)Yi-Chiung Lin • Ting-Fu FAN 范定甫 • Yi-Chiung Lin • Ting-Fu FAN 范定甫

9:00am MDT

(Book & Paper and Poster) Soft Clouds: Material Analysis of Historical Paste Papers from the Rosamond B. Loring Collection of Decorated Papers Room 155 BC (Salt Palace)Debora Mayer • Mitchel Gundrum • Kelli Piotrowski • Mitchel Gundrum (Architecture, Preventive Conservation) Let There Be Light (Or Not) Room 255 F (Salt Palace)Gretchen Anderson • Serina Brady • Gretchen Anderson (Contemporary Art) Preservation of the Plastic Objects in the Harvard Art Museums’ Fluxus Collection Room 355 B (Salt Palace)Susan Costello • Georgina Rayner • Susan Costello (Electronic Media) A Changing Solution For Ever-Changing Challenges: Photoflicks and Photofictions By Lucas Samaras Room 255 D (Salt Palace)Shu-Wen Lin • Joshua Churchill • Mark Hellar • Joshua Churchill • Shu-Wen Lin (Objects) A Flare for the Unexpected: Incendiary Devices in the Collection of the Mariners’ Museum and Park Room 155 EF (Salt Palace)Erik R. Farrell • Erik R. Farrell (Paintings) Called to Create/Called to Conserve: An Auxiliary Support for a Painting on Plywood, Birdman Trainer by Joe Light Room 255 BC (Salt Palace)Sue Ann Chui • Derek Lintala • Sue Ann Chui • Derek Lintala (Photographic Materials) The Complex Light and Dark Storage Stability Behaviors of Different Dye-Sublimation Inksets Printed on Chromaluxe Standard (“Indoor”) and Ext (“Outdoor”) Coated Aluminum Panels (often... Room 255 E (Salt Palace)Henry Wilhelm • Henry Wilhelm (Research & Technical Studies) Wood Identification in Historic Furniture: Optimization of Machine Learning Approaches for Processing LIBS and Py-GC/MS Data Room 355 EF (Salt Palace)Richard R. Hark • Randy Wilkinson • John Stuart Gordon • Patricia Kane • Chandra Throckmorton • Richard R. Hark (Textiles) From Dust to Display: Collaborative Re-Assembly of an Object Received With Damage Room 255 A (Salt Palace)Haddon Dine • Andrew Talley • Megan Creamer • Megan Creamer Sustainability Session - Building A Climate of Hope: Developing climate exhibits for shared engagement and learning

9:15am MDT

(Book & Paper and Poster) Repairing Modern First Edition Dust Jackets Without Fills or Inpainting: A Conservative Approach Room 155 BC (Salt Palace)Christopher Sokolowski • Christopher Sokolowski

9:30am MDT

(Book & Paper) POV: An Archives Conservation Lab’s Efforts in Reaching Out and Levelling Up Room 155 BC (Salt Palace)Cassandra Tang • Sanira Beevi • Ayaka Ajiki • Ayaka Ajiki • Cassandra Tang (Research & Technical Studies and Poster) Plastics Bingo!: Identifying Plastics in the Collections of Cooper Hewitt, Smithsonian Design Museum Room 355 EF (Salt Palace)Sarah Barack • James Hughes • Jessica Walthew • James Hughes (Architecture, Preventive Conservation) Identifying the Problem and Defining the Goal: Environmental Assessments in Historic Buildings and Collections in the NPS, Region 1 Room 255 F (Salt Palace)Margaret D. Breuker • Margaret D. Breuker (Contemporary Art) Embracing Angel's Orbit: Replication as a Tool for Preservation of the Integral Hologram Angel by Simone Forti and Lloyd Cross Room 355 B (Salt Palace)Markéta Krausová • Evelyne Snijders • Markéta Krausová (Electronic Media) Tending to Time-Based Media Art in Aotearoa, New Zealand Room 255 D (Salt Palace)Asti Sherring • Asti Sherring (Objects) The (Inherent) Vices and Virtues of A Dreamscape Parchment Paravent By Mohamed Zouzaf Room 155 EF (Salt Palace)Kathryn Boodle • Terra L. Huber • Kathryn Boodle (Paintings) From D-List to the A-List: Embracing Maria Luigia Raggi’s Unexpected Painting Supports Room 255 BC (Salt Palace)Blair Bailey • Robert Simon • Daniela Molinari • Blair Bailey (Photographic Materials) Seeing The Invisible: on Multispectral Imaging of Photographs Room 255 E (Salt Palace)Anna Seweryn • Tomasz Łojewski • Anna Seweryn (Textiles) Surprising Sophistication: The Colorful Textiles of Karanis, Egypt Room 255 A (Salt Palace)Suzanne Davis • Caroline Roberts • Laurel Fricker • Suzanne Davis Sustainability - AIC and FAIC’s Commitment to SustainabilityTiffani Emig Sustainability Session - AIC and FAIC’s Commitment to SustainabilityTiffani Emig

9:45am MDT

(Book & Paper and Poster) A New Technique for Strengthening of Naturally Degraded Acidic Paper with Cellulose Fibers Coating Room 155 BC (Salt Palace)Naoko Sonoda • Takayuki Okayama • Ryota Kose • Masazumi Seki • Yuki Tanaka • Ryota Kose (Contemporary Art and Poster) Plastilina, Plastiline, Plasticine: A Study of the First Industrial Modeling Pastes Invented at the End of the 19th Century Room 355 B (Salt Palace)Sonia Tatiana J. Fraj • Sonia Tatiana J. Fraj (Research & Technical Studies) Investigating Hydrogel Desalination of Egyptian Limestone Objects Using NMR-Mouse Spectroscopy Room 355 EF (Salt Palace)Garrett Hill • Margaret MacDonald • Mollie Crossman • Riley Cox • Maggie Wang • Maggie Wang

10:00am MDT

Break in The Exhibit Hall Exhibit Hall: Hall 1 (Salt Palace) (Poster Session) May 22-23, 10 am to 5:30 pm - Abstracts listed at the end of the schedule for readability only TBA

10:30am MDT

Exhibit Hall Demo -Anatomy of a Showcase – A Case Study Exhibit Hall: Hall 1 (Salt Palace)ClickNetherfield (Architecture, Preventive Conservation) Differential Durability: Could Deterioration Be Hidden Within Your Wall Assembly? Room 255 F (Salt Palace)Cameron Moon • Cameron Moon (Book & Paper) Starr-Crossed or Serendipitous? The Unexpected Move of Columbia University’s C.V. Starr East Asian Library Room 155 BC (Salt Palace)Rachael Arenstein • Eugenie Milroy • Alexis Hagadorn • Emily Lynch • Emily Holmes • Morgan Adams • Emily Lynch • Eugenie Milroy (Contemporary Art) Does The Nose Know? Challenges and Successes During A Study of Montien Boonma’S House of Hope Room 355 B (Salt Palace)Lynda Zycherman • Kyna Biggs • Catherine H. Stephens • Soon Kai Poh • Catherine H. Stephens (Electronic Media) The Landscape of Blockchain-Based Art Preservation: Risk Assessment of 81 Horizons by Rafaël Rozendaal Room 255 D (Salt Palace)Olivia J. Schoenfeld • Ellen Jansen • Olivia J. Schoenfeld (Objects) Preservation Efforts along Totem Trail at Sitka National Historical Park: Navigating Climate Change, Tourism, and the Global Pandemic Room 155 EF (Salt Palace)Curtis Sullivan • Al Levitan • Casey Oehler • Nicole Peters • Nicole Peters (Paintings) Experiments With Vinyl Paint: Technical Analysis of Two Paintings By Lancelot Ribeiro Room 255 BC (Salt Palace)Patricia Smithen • Patricia Smithen (Photographic Materials) Identifying Material Similarities Between The Photographs of Lola Álvarez Bravo and Tina Modotti Room 255 E (Salt Palace)Katherine Mintie • Cynthia Yue • Bryanna Knotts • Bryanna Knotts (Research & Technical Studies) Evaluating the Light-Stability of Roasted Arsenic Sulfide Pigments Room 355 EF (Salt Palace)Katherine Eremin • Celia Chari • Anjali Jain • Jinah Kim • Shao-Liang Zheng • Celia Chari (Textiles) Eco-Friendly Nano Magnetic Sponge Agent and A Multi-Analytical Approach To Assessment The Use of Cross-Linked Polymer Used In Removing Rust Stains From Natural Dyed Protein-Based Textiles Samples. Room 255 A (Salt Palace)HebaAllah saad • Wael Mohamed • HebaAllah saad (Sustainability) Sustainability Committee Session - Life Cycle Assessment Panel Discussion Room 355 C (Salt Palace)Sarah Nunberg • Dr. Matthew Eckleman

11:00am MDT

(Photographic Materials) Searching For Treasures: Unidentified Early Color Photographs in Slovakia Room 255 E (Salt Palace)Janka Blaško Križanová ArtD. • Kitti Barathova • Kitti Barathova (Architecture, Preventive Conservation) Revealing Hidden Threats: Monitoring Ambient Air Quality to Preserve Silver Treasures in the 15th-Century Mehrangarh Fort Museum, Jodhpur, India Room 255 F (Salt Palace)Vikram Singh Rathore • Vandana Singh • Sunayana Rathore • Vikram Singh Rathore (Book & Paper Sessions) The Collections Won't Pack Themselves: A Preservation and Special Collections Collaboration Room 155 BC (Salt Palace)Mary Leverance • Sally Crutcher • Estefani Mann • Amber Cooper • Mary Leverance (Contemporary Art) Niki de Saint Phalle’s Tarot Garden: Photogrammetry as an Aid in the Documentation of the Sculpture Park Room 355 B (Salt Palace)Elyse Hamp • Mario Santana Quintero • Caroline Longo • Damiano Aiello • Flavia Perugini • Luigi Barazzetti • Damiano Aiello • Caroline Longo (Electronic Media) An Experiment in Art and Technology: Negotiating with Time in Robert Rauschenberg’s Carnal Clocks Room 255 D (Salt Palace)Christine Frohnert • Reinhard Bek • Adrian Hernandez • Daniella Briceño Villamil • Adrian Hernandez • Daniella Briceño Villamil (Objects) Bones, Epoxy, and Cotton Balls, Oh My!: The Treatment of Two Thornton Dial Artworks Room 155 EF (Salt Palace)Kaela Nurmi • Kaela Nurmi (Paintings) Rediscovering and Restoring The Harvard Art Museum’s Cardona Altarpiece Room 255 BC (Salt Palace)Celia Chari • Cristina Morilla • Alexandra Chipkin • Celia Chari • Alexandra Chipkin • Cristina Morilla (Research & Technical Studies) Using Projection Mapping to Reduce Damage to Light-Sensitive Paintings Room 355 EF (Salt Palace)Alp Durmus • Alp Durmus (Textiles) Innovative Conservation Method of Egyptian Historical Textiles By Using Covalently Immobilized Enzymes on Nanoparticles Room 255 A (Salt Palace)Mohamed Elzoghby • Mohamed Hassan • Ahmed Elsepaey • Mahmoud Andaho • Mohamed Elbehery • Harby Ahmed • Sawsan Darwish

11:30am MDT

(Architecture, Preventive Conservation) When The Art's In The Way: The Complex Nature of Moving Large-Scale Artefacts and Public Art Room 255 F (Salt Palace)Kelly Caldwell • Kelly Caldwell (Book & Paper) Wet Recovery: The National Library of Jamaica's Perspective Room 155 BC (Salt Palace)Lisa-Ann Norris • Lisa-Ann Norris (Contemporary Art) The Unexpected at Every Turn: Yve Laris Cohen’s Studio/Theater Room 355 B (Salt Palace)Michele Marincola • Lynda Zycherman • Naomi Kroll • Yve Laris Cohen • Yve Laris Cohen • Michele Marincola (Electronic Media) Restoration of “Chance Words” by Augusto de Campos: The Poem behind the Scenes Written in Flash Code Room 255 D (Salt Palace)Marcela Vieira • Marcela Vieira (Objects) Adventures in (Re)Constructing and Conserving a Thai Thammat Room 155 EF (Salt Palace)Stephanie Hulman • Katharine Shulman • Angela Elliott • Gregory Bailey • Jennifer "Jen" Mikes • Gregory Bailey • Angela Elliott (Paintings) Case Study: An Alternative To Canvas Lining Room 255 BC (Salt Palace)Oliver Watkiss • Bitzy Couling • Bitzy Couling (Research & Technical Studies) Application of PECVD in the Conservation of Metallic Cultural Heritage Room 355 EF (Salt Palace)Yasmin Sayed Ahmed • Mohamed Soliman Ali Khedr (Textiles) Novel Synthesis of Nanoparticles-Based Back Coating Flame-Retardant Materials for Historic Textile Fabrics Conservation Room 255 A (Salt Palace)Dina Abd ElGawad • Harby ezz ElDen • Dina Abd ElGawad PMG Wiki Meeting Room 255 E (Salt Palace)

12:00pm MDT

(Book & Paper) BPG Wiki Discussion: Conservation of Books and Paper in Historic House Settings TBASandrine Blais • Michelle C. Smith (Luncheon) Health and Safety Network: A Focus on Mental Health (+ $39 / $29) TBAStephanie Arel • Stephanie Black • Holly Cusack-McVeigh • Mark Wilson (Luncheon) Succession Planning Trends and Tools in Collections and the Arts (+ $39 / $29) TBATom Clareson • Michelle Eisenberg (Luncheon) The Evolving Use of Leather in Conservation (+ $39 / $29) TBAKristi Wright • Katharine Wagner • William Minter • Holly Herro • René Larsen • Laura Weyrich • Northeast Document Conservation Center

1:00pm MDT

Preventive Care Idea Fair Room 258 (Salt Palace)Tru Vue Inc.

2:00pm MDT

(Concurrent: 3D Digital Technologies) Cultural Heritage and 3D Printing: State of the Art and the Technology’s Future Room 255 E (Salt Palace)Jae Gutierrez • Meredith Noyes • Lauren Parish • Emma J. Richardson • Meredith Noyes (Concurrent: Corporal Materials in Art) Ethical and Practical Considerations in the Collection and Conservation of Insignia III by Carlos Martiel Room 255 F (Salt Palace)Dana Mossman Tepper • Annabelle F. Camp • Annabelle F. Camp (Concurrent: Embracing Intangible Dimensions) Reconsidering Agency in Conservation Practice: The Role of Devil’s Club Root in the Display of a Tlingit Canoe Prow Room 155 BC (Salt Palace)Amy Tjiong • Amy Tjiong (Concurrent: Imaging Encounters) Surprising Surfaces: Micro RTI For Investigating Cold-Worked Glass Room 255 BC (Salt Palace)Sarah Barack • Jessica Walthew • Sarah Barack • Justine Wuebold (Concurrent: Self Care) Developing a More Diverse Future for the Field of Conservation through a Train-the-Trainer Initiative Room 155 EF (Salt Palace)Bianca Garcia • Annabelle F. Camp • Bianca Garcia (Concurrent: Towards Art in Transit 2.0 Follow-up) Discussion of 2022 Survey on “Vibratory Impacts of Music and Transport on Museum Collections” and summary of pre-session symposium Room 355 EF (Salt Palace)Vincent Beltran • JP Brown • Dale Kronkright • Cayetana Castillo • Kevin Marshal • Kaitlyn Sturgis-Jensen • Mark Ryan • Vincent Beltran

2:30pm MDT

(Concurrent: 3D Digital Technologies) Transforming Cultural Heritage Preservation: The Power of 3D Technology, Bridging Past and Present With 3D Technology In Cultural Restoration, Accessibility, and Museum Mount... Room 255 E (Salt Palace)Chris Hollshwander • Chris Hollshwander (Concurrent: Corporal Materials in Art) Corporal Materials In Contemporary Art: Multimodal Analysis of an Exudating Human Fat-and-Wax Pillar Room 255 F (Salt Palace)Marc Walton • Lynn Lee • Oi Yan Michelle Chan • Alessandra Guarascio • Oi Yan Michelle Chan • Lynn Lee (Concurrent: Embracing Intangible Dimensions) Conservation For Communities: A Model For Outreach To Tribal Audiences Room 155 BC (Salt Palace)Megan Brakob Narvey • Rita Walaszek Arndt • Rita Walaszek Arndt • Megan Brakob Narvey (Concurrent: Imaging Encounters) Curious Damage Calls for Surprising Solutions: Catering to the Engineering Curious in the Conservation, Animation, and Preservation of Movable and Pop-Up Books Room 255 BC (Salt Palace)Katie Smith • Katie Smith (Concurrent: Self Care) The Conservator and the Seven Stages of Grief Room 155 EF (Salt Palace)Marie-lou Beauchamp • Marie-lou Beauchamp (Concurrent: Towards Art in Transit 2.0 Follow-up) Panel Discussion on “Crate Performance and Sustainability Room 355 EF (Salt Palace)Dale Kronkright • Julia Latané • Merv Richard • William Wei

3:00pm MDT

(Concurrent: Corporal Materials in Art) Collaboration Through Repatriation: How International Repatriation Efforts At The Fowler Museum At Ucla Initiated Community Involvement, Shared Decision-Making, Challenges... Room 255 F (Salt Palace)Christian de Brer • Christian de Brer (Concurrent: Embracing Intangible Dimensions) Public Art Stewards: Lessons from a Flagship Training Program Room 155 BC (Salt Palace)Margalit Schindler • Margalit Schindler (Concurrent: Imaging Encounters) Technical Analysis of Inks Used for Scientific Annotations on the Harvard Astronomical Photographic Glass Plate Collection Room 255 BC (Salt Palace)Elena Bulat • Debora Mayer • Arthur McClelland • Amanda Maloney • Georgina Rayner • Samara Ayvazian-Hancock • Thom Burns • Tess Bronwyn Hamilton • Elena Bulat • Thom Burns (Concurrent: Self Care) Teaching Empathy in Conservation to Prioritize People Room 155 EF (Salt Palace)Andrew Jenks • Nina Owczarek • Nina Owczarek (Concurrent: Towards Art in Transit 2.0 Follow-up) Panel Discussion on “Transit Logistics” Room 355 EF (Salt Palace)Cayetana Castillo • Scott Pustai • Samantha Springer • Lisa Swedberg

3:30pm MDT

Break in The Exhibit Hall Exhibit Hall: Hall 1 (Salt Palace)

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(Concurrent: Imaging Encounters) Below the Surface of Braque's "Pitcher, Candlestick, and Black Fish" Room 255 BC (Salt Palace)Adam Neese • Desirae Dijkema • Desirae Dijkema (Concurrent: 3D Digital Technologies) Primary Results of Using the Scientific Documentation of 3D Laser Scanning and 3D Printing in King Khufu’s Second Boat Reassembling Proposal Room 255 E (Salt Palace)Takeshi Oishi • Mahmmoud Shehab • Sakuji Yoshimura • Eissa Zidan • Hiromasa Kurokochi • Masataka Kagesawa • Ragab Salama • Youssef Nabarawy • Nour M. Badr • Kadry Mitwally • Mamdouh Taha • Mohamed El-Seaidy • Mahmmoud Shehab (Concurrent: Changing Thoughts, Changing Practices) Contemporary Art Conservation in New York City's Art Market Environment TBAMareike Opeña • Mareike Opeña (Concurrent: Embracing Intangible Dimensions) Museums of the 21st Century: Supporting Indonesian Institutions in a Changing Environment Room 155 BC (Salt Palace)Kristal J. Hale • Dr. Sandra Sardjono • Ajeng Arainikasih • Dr. Christopher Buckley • Dr. Robert Pontsioen • Saiful Bakhri • Saiful Bakhri • Kristal J. Hale (Concurrent: Questioning our Assumptions) Demystifying Our Metadata: Making Conservation Documentation Accessible In The Digital Library At The University of Illinois Room 155 EF (Salt Palace)Jennifer Hain Teper • Quinn Morgan Ferris • Julia Cardinal • Julia Cardinal • Jennifer Hain Teper

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(Concurrent: Imaging Encounters) A Multispectral Imaging Approach Integrated into the Characterization of Colored Glass and Semi-Precious Stones Applied to Ancient Egyptian Artifacts Room 255 BC (Salt Palace)Ahmed Abdrabou • Ahmed Abdrabou

4:30pm MDT

(Concurrent: 3D Digital Technologies) Sculpting Solutions: 3D Technologies for Conservation Problem-Solving Room 255 E (Salt Palace)Sean Billups • Sean Billups (Concurrent: Changing Thoughts, Changing Practices) Bridging the Intangible: Two Generations of Chinese Painting Conservators TBAGrace Jan • Grace Jan (Concurrent: Embracing Intangible Dimensions) Great Salt Lake: Connections Between Fragile Ecology and Heritage Preservation Room 155 BC (Salt Palace)Justine Wuebold • Elisse Brautigam • Elisse Brautigam • Darren Parry • Justine Wuebold (Concurrent: Questioning our Assumptions) What Does the Box Say? Improving Enclosure Design and Labeling as a Result of User Research Room 155 EF (Salt Palace)Lauren Telepak • Meg McMahon • Amanda Hope • Amanda Hope • Lauren Telepak

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(Concurrent: Imaging Encounters) Identifying Multispectral Imaging Wavelengths to Create “Recipes” for Analysis of Non-Visible Information on Parchment and Thermal Paper Room 255 BC (Salt Palace)Leah Humenuck • Isabell Moyer • Isabell Moyer

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(Concurrent: Imaging Encounters) Exploring Variations in Green Pigment Degradation in Early Printed and Hand-Colored Works on Paper Room 255 BC (Salt Palace)Lieve Watteeuw • Yun Liu • Yun Liu (Concurrent: 3D Digital Technologies) Creating the Black Panther Custom Mannequin from Digital to Physical Room 255 E (Salt Palace)Zachary Hudson • Matthew Lynn • Willow Collins • Laura Mina • Willow Collins • Laura Mina (Concurrent: Changing Thoughts, Changing Practices) One Cannot Plan for the Unexpected: Problem Solving during the Major Reinstallation of the Princeton University Art Museum TBAElena Torok • Bart Devolder • Elena Torok (Concurrent: Embracing Intangible Dimensions) Roundtable Discussion with all the speakers from this track Room 155 BC (Salt Palace) (Concurrent: Questioning our Assumptions) The Conundrum of Accepted Assumptions from Thousands of Tested Book Papers Room 155 EF (Salt Palace)Andrew Davis • Fenella France • Elizabeth Torres • Megan Zins • Amanda Satorius • Andrew Davis • Fenella France

6:00pm MDT

Dinner Reception at the Utah Museum of Contemporary Art – Reflections on Changing Climate - Cost $70 Utah Museum of Contemporary Art (UMOCA)ClickNetherfield Wooden Artifacts Reception - Cost $49 /$35 for students Squatters

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Dine Arounds TBA

8:00pm MDT

Drag After Party at WhyKiki TBAAIC Research and Technical Studies Group

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(General) Expectations and Realities: The State of Emerging Professionals in the Field Room 155 BC (Salt Palace)Michaela Paulson • Steph Guidera • Rebecca Rosen • Katharine Shulman • Samantha Springer

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(Archaeological Heritage) The Mystery of the Frankenphora: Treatments and Ethics of a Composite Amphora Room 355 C (Salt Palace)Olivia Haslam • Olivia Haslam (Contemporary Art, Electronic Media) Timekeeper: Caring for a Complex Installation by Sarah Sze Room 355 B (Salt Palace)Jeffrey Warda • James Hughes • Elizaveta Yuzhakova • Esther Chao • Agathe Jarczyk • Tess Bronwyn Hamilton • sasha arden • Piotr Chizinski • Piotr Chizinski (Paintings, Textiles) Laser Cleaning in the Treatment of a Vandalized Unprimed Canvas Room 255 BC (Salt Palace)Amber L. Kerr • Bartosz Dajnowski • Keara Teeter • Bartosz Dajnowski • Amber L. Kerr • Otego (Photographic Materials) Achievements and Reflections on A Three-Year Collaborative Project In Photograph Conservation Room 255 E (Salt Palace)Clara von Waldthausen • Clara von Waldthausen (Research & Technical Studies) Alteration of Materials and of Meaning in an Early 16th C. Upper Rhenish Devotional Manuscript Room 355 EF (Salt Palace)Cindy Connelly Ryan • Marianna Stell • Meghan Hill • Cindy Connelly Ryan (Architecture) Revisiting the Efficacy of Plaster Repair Technologies of the Last 40 Years - an ASG/APT Joint Panel Room 255 F (Salt Palace)Heather Hartshorn • Naomi Kroll • Brooke Russell • Mary Slater (Objects & Preventive Care) Arsenic: A Collection Component Room 355 C (Salt Palace)Lisa Goldberg • Timothy Greening • David Hinkamp • Ingrid Neuman • Nancie Ravenel-[Fellow] • Fran E. Ritchie • Kerith Koss Schrager • Julia Sybalsky • Melissa Tedone

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(Book & Paper) Assessing Collections At The Library of Congress: The Human Aspects For Sustainability Room 155 BC (Salt Palace)Beatriz Haspo • Beatriz Haspo

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(Archaeological Heritage) Repeat Photography and Virtual Reconstruction of Los Santos de Ángeles de Guevavi, Tumacácori National Historical Park, Arizona Room 355 C (Salt Palace)Frank Matero • Ha Leem Ro • Ha Leem Ro (Book & Paper) Merging of Techniques to Unite Historical Integrity with Function: Treatment of the Hebrew Union College 1526 Prague Haggadah Room 155 BC (Salt Palace)Ashleigh N. Ferguson Schieszer • Ashleigh N. Ferguson Schieszer (Contemporary Art, Electronic Media) A Journey into the Preservation of Time-Based Media: The Example of the Heritage Conservation Centre in Singapore (Part I) Room 355 B (Salt Palace)Melanie Barrett • Alex Soo • Ariane Lo • Christel Pesme • Mar Cruz • Jo-Anne Wong • Kezia Toh • Fabiola Rocco • Fabiola Rocco (Paintings, Textiles) Henri Matisse's Silkscreen on Linen, Edition of 60, Oceanie, Le Ciel and La Mer, 1946-49: More Examples, Some Discoveries, Remaining Quandaries Room 255 BC (Salt Palace)Mary Kaldany • Rebecca T. Johnson-Dibb • Patsy Orlofsky • Mary Kaldany • Otego (Photographic Materials) Photography: A Great Change of Meaning Room 255 E (Salt Palace)Lénia Oliveira Fernandes • Pablo Ruiz • Pablo Ruiz (Research & Technical Studies) Mechanisms of Decay: Rapid Weathering of Outdoor Basalt Sculptures Room 355 EF (Salt Palace)Jane C. Gillies • Bavan Rajan • Gelu Costin • Kirsten Siebach • Jane C. Gillies

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(Archaeological Heritage) Just Keep Consolidating: Managing Challenge and Change with the Cypriot Conservation Project Room 355 C (Salt Palace)Emily Brown (Book & Paper) Sắc Phong – A Preliminary Investigation of Vietnamese Imperial Proclamations Room 155 BC (Salt Palace)Emily Hamilton • Jiuan Jiuan Chen • Aaron Shugar • Fiona Beckett • Victor Chen • Vu Do • Theresa Smith • Vu Do (Contemporary Art, Electronic Media) Dynamic Objects, Evolving Collections: A New Approach To Changeability At The National Museum of Australia Room 355 B (Salt Palace)Asti Sherring • Asti Sherring (Paintings, Textiles) Conserving Canvas: Cotton Duck Room 255 BC (Salt Palace)Michael Duffy • Matthew Skopek • Ellen Davis • Laura Mina • Ellen Davis • Otego (Photographic Materials) A Legacy of Stars: Preservation of The Williamina Fleming Astronomical Glass Plates From Harvard College Observatory Room 255 E (Salt Palace)Elena Bulat • Debora Mayer • Arthur McClelland • Amanda Maloney • Georgina Rayner • Samara Ayvazian-Hancock • Thom Burns • Tess Bronwyn Hamilton • Elena Bulat • Tess Bronwyn Hamilton (Research & Technical Studies) Not All That's White Is Salt: Encountering Lead Corrosion on Glazed Ceramics Room 355 EF (Salt Palace)Klaus Achterhold • Markus Roos • Thomas Schindler • Isabel Wagner • Isabel Wagner

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(Luncheon) Choosing Materials for Storage, Exhibition and Transport (+ $39 / $29) TBARachael Arenstein • Lisa Elkin • Rebecca Kaczkowski • Samantha Springer • Julia Sybalsky • Elena Torok • G.C. Laser Systems Inc. (Luncheon) CIPP Topics (+ $39 / $29) TBALauren Fly

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(Architecture) Lighthouses: The Evolving Character of an Unchanging Beacon Room 255 F (Salt Palace)Susan Franger • Susan Pranger (Contemporary Art, Wooden Artifacts) Conserving Please Be Seated: Five Decades of Studio Furniture in Public Use Room 355 B (Salt Palace)Christine Storti • Christine Storti (Objects) Steel Yourself: Addressing Internal Secrets of A Beverly Pepper Room 155 Salt PalaceClaire Taggart • Claire Taggart (Paintings, Textiles) Unravelling Mysteries: The Discoveries and Challenges of Remounting an Oversized Thangka Painting Room 255 BC (Salt Palace)Sun-hsin Hung • Sun-hsin Hung • Otego (Preventive Care) Art and Heritage in Transport: Perception and Statistics Room 355 C (Salt Palace)William Wei • William Wei (Research & Technical Studies) A Study of the Use of Acacia Nilotica Seed Pods to Produce a Distinctive, Black Paint for Bwa and Mossi Polychrome Wood Masks in Burkina Faso Room 355 EF (Salt Palace)Richard Newman • Stephanie Hornbeck • Stephanie Hornbeck • Richard Newman (Book & Paper) Art on Paper Discussion Session- Tape and Adhesives: Techniques and Materials for an Age-Old Problem TBA (Book & Paper) Library and Archives Discussion Session - Managing Collection Needs and Conservation Practices in the Face of Capacity Challenges. TBAKim Knox Norman • Heather Hamilton • Christine Bethke • Genevieve Pierce Kyle

2:30pm MDT

(Architecture) Synthesized Method of Identifying Salt Efflorescence In Monuments & Buildings Room 255 F (Salt Palace)Sonia Tatiana J. Fraj • Sonia Tatiana J. Fraj (Contemporary Art, Wooden Artifacts) A Macro-Miniature: Conservation of a Large Paul Rudolph Architectural Model Room 355 B (Salt Palace)Elizabeth Peirce • Elizabeth Peirce (Objects) Hubris or Humility? My Treatment Approaches to Working with a Yoruba Orisa Figure of Esu Room 155 Salt PalaceCéline Wachsmuth • Céline Wachsmuth (Paintings, Textiles) Embracing Mist-Lining: The Structural Treatment of Two Canvas Paintings by Edwin Austin Abbey at the Yale University Art Gallery Room 255 BC (Salt Palace)Nikita Shah • Cynthia Shwarz • Tirza Harris • Nikita Shah • Otego (Preventive Care) Novel Flexible Mounting Systems for Fragile Objects: Making the Impossible Possible Room 355 C (Salt Palace)Angela Chang • Tony Sigel • Tony Sigel (Research & Technical Studies) When One’s Upbringing Guides Scholarly Research: The Technical Examination of a (Purported) Mexican Religious Painting Room 355 EF (Salt Palace)M. Fernanda Delgado Cornelio • Elsa Arroyo-Lemus • Catherine Matsen • Jocelyn Alcántara-García • M. Fernanda Delgado Cornelio

3:00pm MDT

(Architecture) Water: Can It Be the Culprit and the Savior? Room 255 F (Salt Palace)Rebecca Wong • George Reo • George Reo • Rebecca Wong (Contemporary Art, Wooden Artifacts) Considerations of a D. Tanning Sculpture Room 355 B (Salt Palace)Caitlin Sofield • Caitlin Sofield (Objects) Huh…That’s Weird: Revelations and Reflections from the Treatment of a Heavily Restored Staffordshire Pearlware Tankard Room 155 EF (Salt Palace)Allison Kelley • Allison Kelley (Paintings, Textiles) Invisible Suspension: A Tailored Hanging System For Darrel Ellis's Shaped Canvas Artwork 'Untitled (Bedroom Scene)' Room 255 BC (Salt Palace)Jen Munch • Jen Munch • Otego (Preventive Care) Navigating CITES as an Arts Institution: Challenges Encountered with Loans and Acquisitions of Organic Materials at the Met Room 355 C (Salt Palace)Netanya Schiff • Alice Fornari • Alice Fornari • Netanya Schiff (Research & Technical Studies) Eh, Voilà! Encountering the Unexpected in the Treatment of Gustave Caillebotte’s ‘Young Man at His Window’ Room 355 EF (Salt Palace)Joy Mazurek • Karen Trentelman • Douglas MacLennan • Devi Ormond • Douglas MacLennan

3:30pm MDT

(Contemporary Art, Wooden Artifacts) Cellulose Nitrate Film on the Big Screen: Treating an Eames FSW (Folding Screen Wood) Room 355 B (Salt Palace)Olav Bjornerud • Olav Bjornerud (Objects) Art in the Swamp: Outdoor Sculpture Conservation at the New Orleans Museum of Art Room 115 EF (Salt Palace)Ingrid Seyb • Ingrid Seyb (Paintings, Textiles) A Thoughtful Approach to the Structural Treatment of Colonial Latin American Paintings Room 255 BC (Salt Palace)Laura Eva Hartman • Luciana Andrea Feld • María Elisabet Carnero • María Elisabet Carnero • Luciana Andrea Feld • Otego (Preventive Care) Assessment of Air Quality within a Historic House Museum: Particulate Matter and Gas Phase Risks to Collections Room 355 C (Salt Palace)Rosie Grayburn • Liora Mael • Liora Mael (Research & Technical Studies) What’s on The Bag? Technical Analysis of The Colorants and Printing Techniques Utilized In Frank Stella’s 1984 Tyler Graphics Bag Room 355 EF (Salt Palace)Devon Lee • Caroline Carlsmith • Caroline Carlsmith • Devon Lee

3:45pm MDT

(Contemporary Art) Blinking Outside The Box: The Treatment of Sol Lewitt's Wall Structure In Nine Parts, Each Containing a Work of Art by Other Artists, 1963 Room 355 B (Salt Palace)Elisse Brautigam • Kaela Nurmi • Nicholas Ecker • Kaela Nurmi

4:00pm MDT

(Closing General Session) 7th Annual Mistakes Session Room 155 BC (Salt Palace)

7:00pm MDT

TBA

(Tour) Saturday to Sunday: Arches and Canyonlands, a Two-Day Small Group Adventure ($799/$849) TBA

9:00am MDT

(Tour) Mountain E-Bike Tour ($149) TBA (Tour) Spiral Jetty and The Golden Spike National Park ($389) TBA (Post-session Seminar) Applying Sustainability Principles Cross-Departmentally at Collecting Institutions - Cost $109 TBAJustine Wuebold

AIC's 52nd Annual Meeting

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