Loading…
Attending this event?
This schedule is a draft. Events may change at any time. Click the links below to manage your conference experience. Adding events to your personal schedule does not reserve a space for you.

Register  |  Add Tickets  |  Book Hotel
Thursday, May 23 • 3:00pm - 3:30pm
(Concurrent: Imaging Encounters) Technical Analysis of Inks Used for Scientific Annotations on the Harvard Astronomical Photographic Glass Plate Collection

Sign up or log in to save this to your schedule, view media, leave feedback and see who's attending!

The Harvard College Observatory (HCO), founded in 1839, today has a collection of 550,000 astronomical glass plate photographs. For over a century, the astronomical photographic glass plates functioned as scientific records and living documents that were often handled by multiple researchers who left various annotations directly on the glass plates in colored inks. The glass plates are known to have been cleaned of markings and re-used for different research purposes at different times. Many of the ink annotations were made by the often-uncredited Women Computers and Astronomers who worked at the HCO in the late 19th and early 20th centuries. Unfortunately, these important annotations on the plates obscured astronomical data. The talk focuses on the analysis of the inks, developing a protocol to image the plates to digitally omit the annotations yet still preserve the astronomical data, and the pivoting of the collections point of view towards holistic artifactual preservation.

Starting in 2004, the HCO’s Digital Access to a Sky Century @ Harvard (DASCH) project endeavored to digitize the astronomical data in the majority of the Observatory’s glass plate negatives to produce full photometry results for the entire sky. As a matter of procedure, plates selected for DASCH were first photographed and then cleaned of their historical annotations before digitization.

The Williamina Fleming Collection at Wolbach Library comprises 679 individually selected astronomical glass plate photographs with historic annotations still intact which represent the discoveries, research, and working process of the Women Computers. The collection is named in honor of Williamina Fleming (b.1857 - d.1911), the first Curator of Astronomical Photographs at HCO.

During the Covid-19 pandemic, HCO shifted priorities away from the digitization of purely the scientific information in the collection to embrace a more holistic preservation of the photographs considering the historic and cultural values of the plates too. This began a multi-year collaboration at Harvard University to address the preservation needs of the Williamina Fleming Collection.

A technical study of the inks used for the annotations was undertaken using reflection FTIR, microfading tests, and multispectral imaging. The reflection FTIR was used to noninvasively probe the chemical composition of the inks. The microfading test on the inks showed that they were somewhat photosensitive. These results provided guidance for the development of exhibition guidelines for the plates.

When multispectral imaging was conducted at the Weissman Preservation Center using a Video Spectral Comparator (VSC 8000) in 2022, it was found that the green, red, purple, and brown ink annotations on the plates were rendered transparent in transmissive IR at 850 nm. This showed a possible way forward for digitizing the scientific information without removing the historic annotations on the glass plates. In 2023, the Harvard Plate Stacks undertook more intensive exploration of multispectral imaging of glass plate negatives with R. B. Toth Associates, using a monochromatic 150 megapixel PhaseOne camera.

Authors
avatar for Elena Bulat

Elena Bulat

Paul M. and Harriet L. Weissman Senior Photograph Conservator, Harvard University
Elena Bulat is the Paul M. and Harriet L. Weissman Senior Photograph Conservator, Weissman Preservation Center, Harvard Library since 2019. Prior 2019 she has been a photograph conservator for special collections at the Weissman Preservation Center, Harvard Library since 2007. Elena... Read More →
avatar for Debora Mayer

Debora Mayer

Conservator for Analytical Service and Technical Imaging at the Weissman Preservation Center, Weissman Preservation Center
Debora D. Mayer is the Conservator for Analytical Services and Technical Imaging at the Weissman Preservation Center, Harvard University. Debora recently stepped aside from the Helen Glaser Senior Paper Conservator position to develop the workflow for specialized examination, analysis... Read More →
avatar for Arthur McClelland

Arthur McClelland

Principal Scientist, Harvard University
Arthur McClelland received his PhD in Applied Physics from the University of Michigan in 2009. He has been a technical staff scientist at Harvard University’s Center for Nanoscale Systems since 2011.
avatar for Thom Burns

Thom Burns

Art/Architectural Historian, Center for Astrophysics, Harvard and Smithsonian
Thom Burns is the Curator of the Harvard Plate Stacks Collection at the Center for Astrophysics | Harvard & Smithsonian. He received his Masters from the University of Glasgow in Technical Art History and his BA from Yale University in the History of Art. His professional and academic... Read More →
AM

Amanda Maloney

Special Collections Conservator, Weissman Preservation Center, Harvard Library
Amanda Maloney is a Special Collections Conservator at the Weissman Preservation Center. Prior to her current position, Amanda was a conservator at the Northeast Document Conservation Center (2013 - 2020), The Better Image, a private photograph conservation studio (2010 - 2013), and... Read More →
avatar for Georgina Rayner

Georgina Rayner

Conservation Scientist, Straus Center for Conservation and Technical Studies
Georgina Rayner is the Associate Conservation Scientist at the Straus Center for Conservation and Technical Studies, Harvard Art Museums. Prior to this role Georgina was the Andrew W. Mellon Postdoctoral Fellow in Conservation Science at the same institution. Georgina holds a Masters... Read More →
SA

Samara Ayvazian-Hancock

Graduate Fellow (Class of 2026), State University of New York - Buffalo
Samara Ayvazian-Hancock is currently a first year LACE student at the Patrica H. and Richard E. Garman Art Conservation program in Buffalo, NY. She received her B.A. in Ancient, Medieval, and Modern History from Durham University, England and her Graduate Diploma in Book and Library... Read More →
avatar for Tess Bronwyn Hamilton

Tess Bronwyn Hamilton

The Robert Mapplethorpe Foundation Fellow in Photograph Conservation, The Solomon R Guggenheim Museum
Tess Hamilton (she/her) is the Robert Mapplethorpe Foundation Fellow in Photograph Conservation at the Solomon R. Guggenheim Museum. She has previously worked at Weissman Preservation Center at Harvard Library, the Denver Art Museum, and the Institute for the Preservation of Cultural... Read More →

Speakers
avatar for Elena Bulat

Elena Bulat

Paul M. and Harriet L. Weissman Senior Photograph Conservator, Harvard University
Elena Bulat is the Paul M. and Harriet L. Weissman Senior Photograph Conservator, Weissman Preservation Center, Harvard Library since 2019. Prior 2019 she has been a photograph conservator for special collections at the Weissman Preservation Center, Harvard Library since 2007. Elena... Read More →
avatar for Thom Burns

Thom Burns

Art/Architectural Historian, Center for Astrophysics, Harvard and Smithsonian
Thom Burns is the Curator of the Harvard Plate Stacks Collection at the Center for Astrophysics | Harvard & Smithsonian. He received his Masters from the University of Glasgow in Technical Art History and his BA from Yale University in the History of Art. His professional and academic... Read More →


Thursday May 23, 2024 3:00pm - 3:30pm MDT
Room 255 BC (Salt Palace)