AIC's 52nd Annual Meeting

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AIC's 52nd Annual Meeting

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12:00pm MDT

(Contemporary Art) INCCA/CAN! Speed Mentoring Room 259 Salt Palace

2:00pm MDT

(Archaeological Heritage, Preventive Care) Underground Conservation: How the Geosciences and Humanities Can Preserve Historic Cemeteries Room 355 C (Salt Palace)Grace Awbrey • Amy Van de Riet • Blair Schneider • Ben Terwilliger • Grace Awbrey (Architecture) Architectural Artwork Removals: The Good, The Bad, and The Surprising Room 255 F (Salt Palace)Tania Alam • Kevin Daly • Tania Alam • Kevin Daly (Book & Paper) New Applications of Lascaux Acrylic Adhesive For Book and Paper Conservation Room 155 BC (Salt Palace)Quinn Morgan Ferris • Marco Valladares • Quinn Morgan Ferris • Marco Valladares (Contemporary Art, Private Practice) Close and Continuous Collaboration: Stewardship in the Conservation of the New York’s Empire State Plaza Collection Room 355 B (Salt Palace)Alfred Lippincott • Abigail Mack • Sarah Montonchaikul • Ellen Rand • Sarah Montonchaikul (Objects) Cannon Care: Resource for Understanding Iron Cannon Coatings and their Preservation Room 155 EF (Salt Palace)Liatte Dotan • Nicole Peters • Fran E. Ritchie • Liatte Dotan (Paintings) A Darkened Canvas and a Mysterious Hand: Analytical Investigation and Sustainable Approaches to the Cleaning of Morris Louis ‘Slide’ (1962) Room 255 BC (Salt Palace)Soraya Alcala • Per Knutås • Silvia Russo • Soraya Alcala (Photographic Materials) New Originals and Former Originals: Jeff Wall’s Trân Dúc Ván Room 255 E (Salt Palace)Jessica Keister • Chris Michaels • Travis K. Snyder • Mary Wilcop • Jessica Keister (Research & Technical Studies) “There Is No Such Thing as a Green Solvent:” Updates from Sustainability in Conservation’s Greener Solvents Project Room 355 EF (Salt Palace)Lisa Clifford • Gwendoline Fife • Rosie Grayburn • Lucile Pourett • Naomi Toyama • Gwendoline Fife • Rosie Grayburn (Textiles) Nizhónígo Hadadít’eh: Mounting Diné Textiles For Exhibition Room 255 A (Salt Palace)Sháńdíín Brown • Anna Rose Keefe • Jessica Urick • Sháńdíín Brown • Anna Rose Keefe • Jessica Urick (Wooden Artifacts) Unwrapped: Four Hundred Years of European Picture Frame History Finally Revealed at The Ago Room 255 D (Salt Palace)Julia Campbell-Such • Julia Campbell-Such

2:30pm MDT

(Archaeological Heritage, Preventive Care) Rediscovering Princess Carolina: Preventive Conservation as a Catalyst for Reengaging with an Archaeological Collection Room 355 C (Salt Palace)William Hoffman • Elsa Sangouard • William Hoffman (Architecture) Cultural Heritage Relocation and Reinterpretation of Collections: The Professional's Dilemma Room 255 F (Salt Palace)David Wessel • David Wessel (Book & Paper) Making a Chinese Woodblock Print Easy on the Eye: Merging Chinese Aesthetics with Western Conservation Methods Room 155 BC (Salt Palace)Ping-Chung Tseng • Ping-Chung Tseng (Contemporary Art, Private Practice) Private Practice, Public Impact: A Collaboration in Preserving Michael Richards' Legacy Room 355 B (Salt Palace)Alex Fialho • Anne L. King • Melissa Levin • Eugenie Milroy • Anne L. King • Eugenie Milroy (Objects) The Lion, the Saint, and the Red Robe: Technical Study and Treatment of a 17th-Century Wax Diorama by Caterina de Julianis Room 155 EF (Salt Palace)Angela Chang • Katherine Eremin • Adrienne Gendron • Georgina Rayner • Adrienne Gendron (Paintings) Discovering Dalí Room 255 BC (Salt Palace)Allison Langley • Katrina Rush • Allison Langley • Katrina Rush (Photographic Materials) Exposing A Photographer's Vision: The Hirshhorn Hologram and Its Many Challenges Room 255 E (Salt Palace)Shannon A. Brogdon-Grantham • Tess M. Cramer • Taylor Healy • Gwenaelle Kavich • Thomas Lam • Stephanie Lussier • Tess M. Cramer • Stephanie Lussier (Research & Technical Studies) Safer Solvent Selection for the Removal and Application of Synthetic Resins Room 355 EF (Salt Palace)Gwendoline Fife • Rosie Grayburn • Bethany Karl • Melinda H. Keefe • Alan Phenix • Vikram Prasad • Robert Wright • Melinda H. Keefe (Textiles) Preserving a Confederate Spy Balloon: Adhesive Treatment of Coated Silk Room 255 A (Salt Palace)Kayla Silvia • Kayla Silvia (Wooden Artifacts) Everything’s Shrine: Removing Difficult Coatings on a Carved Jain House Shrine and Advocating for Realistic Treatment Timelines Room 255 D (Salt Palace)Kelly Marie Rectenwald • Kelly Marie Rectenwald

3:00pm MDT

(Wooden Artifacts and Poster Session) A Preliminary Look At Surface Finishes on 19th-Century Tibetan Furniture Room 255 D (Salt Palace)Jessica Chasen • Laura Maccarelli • Jessica Chasen (Archaeological Heritage, Preventive Care) Preventive Conservation of Archaeological Metals At The Japanese Institute of Anatolian Archaeology In Turkey Room 355 C (Salt Palace)Ian MacLeod • Alice Boccia Paterakis • Alice Boccia Paterakis (Architecture) Taking It Back: Unveiling The Original 1897 Finishes of the Chicago Cultural Center GAR Rooms Room 255 F (Salt Palace)Katharine George • Samantha Van Kollenburg • Katharine George • Samantha Van Kollenburg (Book & Paper) Soluble or Not? Research Outlining Solubility of Water-Soluble Pencils and Pastels Room 155 BC (Salt Palace)Rosaleen Hill • Jennifer Poulin • Lindsay Sisson • Scott Williams • Lindsay Sisson (Contemporary Art, Private Practice) Wade Guyton’s Inkjet Paintings: Artist’s Materials, Technique, and Conservation Challenges Room 355 B (Salt Palace)Giuliana Moretto • Giuliana Moretto (Objects) Navigating The Changing Course: The Evolving Treatment Protocol for the Smithsonian National Air and Space Museum's 1896 Lilienthal Glider Room 155 EF (Salt Palace)Maggie Bearden • Malcolm Collum • Jay Flanagan • Deborah Duerbeck Parr • Daniel Ravizza • Deborah Duerbeck Parr (Paintings) Afraid of The Unknown? What Are Barnett Newman’s Reds, Yellows and Blues? Room 255 BC (Salt Palace)Bradford Epley • Corina Rogge • Corina Rogge (Photographic Materials) An Investigation of Additives In Resin Coated Papers Room 255 E (Salt Palace)Tess Bronwyn Hamilton • Tess Bronwyn Hamilton (Research & Technical Studies) Barriers To Embedding Sustainability In Conservation Education and Practice Room 355 EF (Salt Palace)Chedeya Brown • Ellen Pearlstein • Glenn Wharton • Justine Wuebold • Ellen Pearlstein • Justine Wuebold (Textiles) Measuring Deformation of Tapestries: Focusing on Mechanical Stress During Vertical Display Room 255 A (Salt Palace)Alejandro Schrott • Kisook Suh • Kisook Suh

3:15pm MDT

(Wooden Artifacts and Poster Sessions) The Use of Fiber Optics Spectroscopy for the Identification of Wood Room 255 D (Salt Palace)Elly Stewart Davis • Aaron Shugar • Elly Stewart Davis

4:00pm MDT

(Textiles) Inexpensive Methods for Small-Scale Digital Textile Printing Room 255 A (Salt Palace)Jacquelyn Peterson-Grace • Jacquelyn Peterson-Grace (Preventive Care) Are We There Yet? Facilitation Is Our Preventive Conservation Future Room 355 C (Salt Palace)Rebecca Fifield • Rebecca Fifield (Architecture) What If We Find Hoffa? Managing Large Scale Uncertainties Room 255 F (Salt Palace)Xsusha Flandro • Xsusha Flandro (Book & Paper) Plotting a Treatment: The Delamination and Bathing of an Eighteen Foot Manuscript Map Room 155 BC (Salt Palace)Allison Holcomb • Allison Holcomb • Sara Leonowitz (Contemporary Art, Private Practice) The '80s Fascination with Tech Art and Their Conservation Challenges Room 355 B (Salt Palace)Emmanuelle Perron • Emmanuelle Perron (Objects) Tropical Treatment: Testing the Efficacy of Pineapple, Papaya, and Kiwi Juices in the Removal of Adhesives Room 155 EF (Salt Palace)Mariana Di Giacomo • Anna-Colette Haynes • Jasmine Keegan • Mariana Di Giacomo (Paintings) Shedding Light on the Master of Light: Technical Studies of Five Paintings by Joaquín Sorolla y Bastida Room 255 BC (Salt Palace)Kendall Francis • Olivia Kuzio • Devi Ormond • Karen Trentelman • Kendall Francis (Photographic Materials) Polaroid 20×24: Characterization and Investigation of Treatments and Preservation Methods Room 255 E (Salt Palace)Paulina Miasik • Sylvie Pénichon • Paulina Miasik (Research & Technical Studies) A Hairy Situation: Revisiting the Species Attributions of Meret Oppenheim’s Fur-Lined Teacup at the Museum of Modern Art Room 355 EF (Salt Palace)Selin Ates • Kyna Biggs • Dan Kirby • Nathan H. Lents • Caitlin Gozo Richeson • Kyna Biggs • Caitlin Gozo Richeson (Wooden Artifacts) Time May Change Me: A 17th Century Kas Room 255 D (Salt Palace)Kathy Gillis • Emily McClain • Emily McClain

4:15pm MDT

(Textiles and Poster Session) No Time to Dye: Simulating Dye Recipes with the “Test Tube Method” Room 255 A (Salt Palace)Abigail Lenhard • Abigail Lenhard

4:20pm MDT

(Preventive Care) Purple Tea, Firebrats, and Vibrations: Activating an 18th Century Gilded Salon in a 21st Century Arts & Design School Housed in a 19th Century Building Room 355 C (Salt Palace)Mary Coughlin • Mary Coughlin

4:30pm MDT

(Architecture) Them's the Breaks: Managing Conservation Through Construction Room 255 F (Salt Palace)Jennifer Kearney • Jennifer Kearney (Book & Paper) Will The Circle Be Unbroken?: A Case Study in Addressing Acceptable Loss, Historic Conservation Techniques, and Project Burn Out on a 1732-1796 South Carolinian Church Register Room 155 BC (Salt Palace)Kathryn Boodle • Jessica H. Henze • Audrey Jawando • Kathryn Boodle • Jessica H. Henze (Contemporary Art, Private Practice) A Framework for Sustainable Courier Practices: Developing a Bookend Courier Workshop and Network Room 355 B (Salt Palace)Lauren Fly • Samantha Springer • Lauren Fly • Samantha Springer (Objects) Behind the Scenes with Joe Kubert, Comic Book Legend (and Tape Enthusiast): Conserving and Displaying an Artist's Desk Room 155 EF (Salt Palace)Leah Humenuck • Leah Humenuck (Paintings) While Angels Watched; Restoration of Thomas Cole's Monumental Painting, The Angel Appearing To The Shepherds Room 255 BC (Salt Palace)Marla Curtis • Catalina Vasquez- Kennedy • Mark Lewis • Jennifer Myers • Katelyn Rovito • Mark Lewis • Katelyn Rovito (Photographic Materials) When the Pellicular Burlesque Turns into the Pellicular Nightmare Room 255 E (Salt Palace)Marie-lou Beauchamp • Marie-lou Beauchamp (Research & Technical Studies) Novel Non-Invasive Method for Extracting Proteinaceous Binders from Panel Paintings Room 355 EF (Salt Palace)Jin Dong • Zhanyun Zhu • Zhanyun Zhu (Textiles) Tradition and Innovation: Evaluating Conservation Treatments for a Buddhist Embroidery Mounted as a Hanging Scroll Room 255 A (Salt Palace)Sara Ribbans • Sara Ribbans (Wooden Artifacts) The Dahshur Boat of Senwosret III: An Analytical Study of a 4,000-Year-Old Wooden Boat Room 255 D (Salt Palace)Gretchen Anderson • Lisa Haney • Mostafa Sherif • Gretchen Anderson • Mostafa Sherif

4:40pm MDT

(Preventive Care) Traditional Methods of Caring for Cultural Heritage, Reimagined: A Look at Preventive Care in Rajasthan, India Room 355 C (Salt Palace)Elizabeth Salmon • Elizabeth Salmon

5:00pm MDT

(Research & Technical Studies and Poster) Developing Genomic Tools to Determine the Maker of a Modern Gofun Paint Preparation Room 355 EF (Salt Palace)Ann-Marie Abunyewa • Julie Arslanoglu • Christopher Mason • Jennifer Perry • Ann-Marie Abunyewa (Preventive Care and Poster) Street v. Art: A Case Study of Mold Remediation and Community Participation at the George Floyd Global Memorial Room 355 C (Salt Palace)Nylah Byrd • Nylah Byrd (Architecture) From the Ground Up: Revisiting San Xavier’s Main Cupola 29 Years Later Room 255 F (Salt Palace)Starr Herr-Cardillo • Timothy L. Lewis • Susie Moreno • Dr. Nancy Odegaard • Matilde Rubio • Starr Herr-Cardillo • Matilde Rubio (Book & Paper) A Medley of Map Treatments Room 155 BC (Salt Palace)Heather Hendry • Heather Hendry (Contemporary Art, Private Practice) Expect the Unexpected: Navigating the Complexities of Government Bureaucracy in Conservation Room 355 B (Salt Palace)Angela Campbell • Angela Campbell (Objects) On with Her Head: The Treatment and Technical Study of a Queen Elizabeth II Doll from the 1950s Room 155 EF (Salt Palace)Catherine Matsen • Alyssa Rina • Alyssa Rina (Photographic Materials) Tip Session Room 255 E (Salt Palace) (Wooden Artifacts) Cutting Corners: Reframing 3D Technology in the Conservation of a 19th C. Gilded Frame Room 255 D (Salt Palace)Elly Stewart Davis • Elly Stewart Davis

8:30am MDT

(Poster and Book & Paper Sessions) Analysis and Assessment of the Degradative Properties of Strawboard as a Secondary Support Room 155 BC (Salt Palace)Jenni Krchak • Rebecca Ploeger • Aaron Shugar • Theresa J. Smith • Jenni Krchak (Contemporary Art) Poured Color: The Pigmented Latex Rubber Artwork of Lynda Benglis Room 355 B (Salt Palace)Christina Bisulca • Margo Delidow • Elizabeth Homberger • Margo Delidow (Electronic Media) The Migration of Gary Hill’s Interactive Video Installation Tall Ships (1992) Room 255 D (Salt Palace)Cass Fino-Radin • Daniel Mauro • Samantha Owens • Cass Fino-Radin • Daniel Mauro • Samantha Owens (Objects) The Surrealist and the Saint: A Two-Sculpture Journey into Marisol and the 1960s Room 155 EF (Salt Palace)Jiuan Jiuan Chen • Emily Hamilton • Rebecca Ploeger • Ruthie Rolfsmeyer • Aaron Shugar • Ruthie Rolfsmeyer (Paintings) Blurred Lines: Techniques, Materials, and Ethical Considerations in Conserving the Hard-Edge Paintings of Leon Polk Smith Room 255 BC (Salt Palace)Kaitlin Ammon • Kelsey Marino • Elizabeth Nunan • Elizabeth Nunan (Research & Technical Studies) Advancing Conservation Techniques Through Deep Learning of Optical Coherence Tomography Images For Classifying Kozo-Fibered Papers Room 355 EF (Salt Palace)Ayush Kale • Xuan Liu • Yuwei Liu • Sarah Reidell • Yi Yang • Yi Yang (Sustainability) A Toolbox for Spurring Climate Action Room 355 C (Salt Palace)Amy Crist • Roxane Sperber (Textiles) Treatment in Reality: The Conservation of an 18th Century Painted Silk Gown from the Collection of Asian Civilisations Museum, Singapore Room 255 A (Salt Palace)Chuance Chen • Chuance Chen

8:45am MDT

(Book & Paper and Poster) The Production and Deformation of Drying Boards Room 155 BC (Salt Palace)Ting-Fu Fan • Yi-Chiung Lin • Ting-Fu Fan • Yi-Chiung Lin

9:00am MDT

(Book & Paper and Poster) Soft Clouds: Material Analysis of Historical Paste Papers from the Rosamond B. Loring Collection of Decorated Papers Room 155 BC (Salt Palace)Mitchel Gundrum • Debora Mayer • Kelli Piotrowski • Mitchel Gundrum (Contemporary Art) Preservation of the Plastic Objects in the Harvard Art Museums’ Fluxus Collection Room 355 B (Salt Palace)Susan Costello • Georgina Rayner • Susan Costello (Electronic Media) A Changing Solution For Ever-Changing Challenges: Photoflicks and Photofictions By Lucas Samaras Room 255 D (Salt Palace)Joshua Churchill • Mark Hellar • Shu-Wen Lin • Joshua Churchill • Shu-Wen Lin (Objects) A Flare for the Unexpected: Incendiary Devices in the Collection of the Mariners’ Museum and Park Room 155 EF (Salt Palace)Erik R. Farrell • Erik R. Farrell (Paintings) Called to Create/Called to Conserve: An Auxiliary Support for a Painting on Plywood, Birdman Trainer by Joe Light Room 255 BC (Salt Palace)Sue Ann Chui • Derek Lintala • Sue Ann Chui • Derek Lintala (Photographic Materials) The Complex Light and Dark Storage Stability Behaviors of Different Dye-Sublimation Inksets Printed on Chromaluxe Standard (“Indoor”) and Ext (“Outdoor”) Coated Aluminum Panels (often... Room 255 E (Salt Palace)Henry Wilhelm • Henry Wilhelm (Research & Technical Studies) Wood Identification in Historic Furniture: Optimization of Machine Learning Approaches for Processing LIBS and Py-GC/MS Data Room 355 EF (Salt Palace)John Stuart Gordon • Richard R. Hark • Patricia Kane • Chandra Throckmorton • Randy Wilkinson • Richard R. Hark (Sustainability) Building a Climate of Hope: Developing Climate Exhibits for Shared Engagement and Learning Room 355 C (Salt Palace)Lisa Thompson • Dr. Lynne Zummo (Textiles) From Dust to Display: Collaborative Re-Assembly of an Object Received With Damage Room 255 A (Salt Palace)Megan Creamer • Haddon Dine • Andrew Talley • Megan Creamer

9:15am MDT

(Book & Paper and Poster) Repairing Modern First Edition Dust Jackets Without Fills or Inpainting: A Conservative Approach Room 155 BC (Salt Palace)Christopher Sokolowski • Christopher Sokolowski

9:30am MDT

(Book & Paper) POV: An Archives Conservation Lab’s Efforts in Reaching Out and Levelling Up Room 155 BC (Salt Palace)Ayaka Ajiki • Sanira Beevi • Cassandra Tang • Ayaka Ajiki • Cassandra Tang (Contemporary Art and Poster) Plastilina, Plastiline, Plasticine: A Study of the First Industrial Modeling Pastes Invented at the End of the 19th Century Room 355 B (Salt Palace)Sonia Tatiana J. Fraj • Sonia Tatiana J. Fraj (Research & Technical Studies and Poster) Plastics Bingo!: Identifying Plastics in the Collections of Cooper Hewitt, Smithsonian Design Museum Room 355 EF (Salt Palace)Sarah Barack • James Hughes • Jessica Walthew • James Hughes (Electronic Media) Tending to Time-Based Media Art in Aotearoa, New Zealand Room 255 D (Salt Palace)Asti Sherring • Asti Sherring (Objects) The (Inherent) Vices and Virtues of A Dreamscape Parchment Paravent By Mohamed Zouzaf Room 155 EF (Salt Palace)Kathryn Boodle • Terra L. Huber • Kathryn Boodle (Paintings) From D-List to the A-List: Embracing Maria Luigia Raggi’s Unexpected Painting Supports Room 255 BC (Salt Palace)Blair Bailey • Daniela Molinari • Robert Simon • Blair Bailey (Photographic Materials) Seeing The Invisible: on Multispectral Imaging of Photographs Room 255 E (Salt Palace)Anna Seweryn • Tomasz Łojewski • Anna Seweryn (Sustainability) AIC and FAIC’s Commitment to Sustainability Room 355 C (Salt Palace) (Textiles) Surprising Sophistication: The Colorful Textiles of Karanis, Egypt Room 255 A (Salt Palace)Suzanne Davis • Laurel Fricker • Caroline Roberts • Suzanne Davis

9:45am MDT

(Book & Paper and Poster) A New Technique for Strengthening of Naturally Degraded Acidic Paper with Cellulose Fibers Coating Room 155 BC (Salt Palace)Ryota Kose • Takayuki Okayama • Masazumi Seki • Naoko Sonoda • Yuki Tanaka • Ryota Kose (Contemporary Art) Embracing Angel's Orbit: Replication as a Tool for Preservation of the Integral Hologram Angel by Simone Forti and Lloyd Cross Room 355 B (Salt Palace)Markéta Krausová • Evelyne Snijders • Markéta Krausová (Research & Technical Studies) Investigating Hydrogel Desalination of Egyptian Limestone Objects Using NMR-Mouse Spectroscopy Room 355 EF (Salt Palace)Riley Cox • Mollie Crossman • Garrett Hill • Margaret MacDonald • Maggie Wang • Maggie Wang

10:30am MDT

(Architecture, Preventive Conservation) Differential Durability: Could Deterioration Be Hidden Within Your Wall Assembly? Room 255 F (Salt Palace)Cameron Moon • Cameron Moon (Book & Paper) Starr-Crossed or Serendipitous? The Unexpected Move of Columbia University’s C.V. Starr East Asian Library Room 155 BC (Salt Palace)Morgan Adams • Rachael Arenstein • Alexis Hagadorn • Emily Holmes • Emily Lynch • Eugenie Milroy • Emily Lynch • Eugenie Milroy (Contemporary Art) Does The Nose Know? Challenges and Successes During a Study of Montien Boonma’s House of Hope Room 355 B (Salt Palace)Kyna Biggs • Soon Kai Poh • Catherine H. Stephens • Lynda Zycherman • Catherine H. Stephens (Electronic Media) The Landscape of Blockchain-Based Art Preservation: Risk Assessment of 81 Horizons by Rafaël Rozendaal Room 255 D (Salt Palace)Ellen Jansen • Olivia J. Schoenfeld • Olivia J. Schoenfeld (Objects) Preservation Efforts along Totem Trail at Sitka National Historical Park: Navigating Climate Change, Tourism, and the Global Pandemic Room 155 EF (Salt Palace)Al Levitan • Casey Oehler • Nicole Peters • Curtis Sullivan • Nicole Peters (Paintings) Experiments With Vinyl Paint: Technical Analysis of Two Paintings By Lancelot Ribeiro Room 255 BC (Salt Palace)Patricia Smithen • Patricia Smithen (Photographic Materials) Identifying Material Similarities Between The Photographs of Lola Álvarez Bravo and Tina Modotti Room 255 E (Salt Palace)Bryanna Knotts • Katherine Mintie • Cynthia Yue • Bryanna Knotts (Research & Technical Studies) Evaluating the Light-Stability of Roasted Arsenic Sulfide Pigments Room 355 EF (Salt Palace)Celia Chari • Katherine Eremin • Anjali Jain • Jinah Kim • Shao-Liang Zheng • Celia Chari (Textiles) Eco-Friendly Nano Magnetic Sponge Agent and A Multi-Analytical Approach To Assessment The Use of Cross-Linked Polymer Used In Removing Rust Stains From Natural Dyed Protein-Based Textiles Samples. Room 255 A (Salt Palace)Wael Mohamed • Heba saad • Heba saad (Sustainability) Life Cycle Assessment Panel Discussion Room 355 C (Salt Palace)Dr. Matthew Eckleman • Sarah Nunberg • Cassandra Thiel

11:00am MDT

(Photographic Materials) Searching For Treasures: Unidentified Early Color Photographs in Slovakia Room 255 E (Salt Palace)Janka Blaško Križanová ArtD. • Kitti Barathova • Kitti Barathova (Architecture, Preventive Conservation) Revealing Hidden Threats: Monitoring Ambient Air Quality to Preserve Silver Treasures in the 15th-Century Mehrangarh Fort Museum, Jodhpur, India Room 255 F (Salt Palace)Vikram Singh Rathore • Sunayana Rathore • Vandana Singh • Vikram Singh Rathore (Book & Paper Sessions) The Collections Won't Pack Themselves: A Preservation and Special Collections Collaboration Room 155 BC (Salt Palace)Amber Cooper • Sally Crutcher • Mary Leverance • Estefani Mann • Mary Leverance (Contemporary Art) Niki de Saint Phalle’s Tarot Garden: Photogrammetry as an Aid in the Documentation of the Sculpture Park Room 355 B (Salt Palace)Damiano Aiello • Luigi Barazzetti • Elyse Hamp • Caroline Longo • Flavia Perugini • Mario Santana Quintero • Damiano Aiello • Caroline Longo (Electronic Media) An Experiment in Art and Technology: Negotiating with Time in Robert Rauschenberg’s Carnal Clocks Room 255 D (Salt Palace)Reinhard Bek • Christine Frohnert • Adrian Hernandez • Daniella Briceño Villamil • Adrian Hernandez • Daniella Briceño Villamil (Objects) Bones, Epoxy, and Cotton Balls, Oh My!: The Treatment of Two Thornton Dial Artworks Room 155 EF (Salt Palace)Kaela Nurmi • Kaela Nurmi (Paintings) Rediscovering and Restoring The Harvard Art Museum’s Cardona Altarpiece Room 255 BC (Salt Palace)Celia Chari • Alexandra Chipkin • Cristina Morilla • Celia Chari • Alexandra Chipkin • Cristina Morilla (Research & Technical Studies) Using Projection Mapping to Reduce Damage to Light-Sensitive Paintings Room 355 EF (Salt Palace)Alp Durmus • Alp Durmus (Textiles) Innovative Conservation Method of Egyptian Historical Textiles By Using Covalently Immobilized Enzymes on Nanoparticles Room 255 A (Salt Palace)Harby Ahmed • Mahmoud Andaho • Sawsan Darwish • Mohamed Elbehery • Ahmed Elsepaey • Mohamed Elzoghby • Mohamed Hassan

11:30am MDT

(Architecture, Preventive Conservation) When The Art's In The Way: The Complex Nature of Moving Large-Scale Artefacts and Public Art Room 255 F (Salt Palace)Kelly Caldwell • Kelly Caldwell (Book & Paper) Wet Recovery: The National Library of Jamaica's Perspective Room 155 BC (Salt Palace)Lisa-Ann Norris • Lisa-Ann Norris (Contemporary Art) The Unexpected at Every Turn: Yve Laris Cohen’s Studio/Theater Room 355 B (Salt Palace)Yve Laris Cohen • Naomi Kroll • Michele Marincola • Lynda Zycherman • Yve Laris Cohen • Michele Marincola (Electronic Media) Restoration of “Chance Words” by Augusto de Campos: The Poem behind the Scenes Written in Flash Code Room 255 D (Salt Palace)Marcela Vieira • Marcela Vieira (Objects) Adventures in (Re)Constructing and Conserving a Thai Thammat Room 155 EF (Salt Palace)Gregory Bailey • Angela Elliott • Stephanie Hulman • Jennifer Mikes • Katharine Shulman • Gregory Bailey • Angela Elliott (Paintings) Case Study: An Alternative To Canvas Lining Room 255 BC (Salt Palace)Bitzy Couling • Oliver Watkiss • Bitzy Couling (Research & Technical Studies) Application of PECVD in the Conservation of Metallic Cultural Heritage Room 355 EF (Salt Palace)Yasmin Sayed Ahmed • Mohamed Soliman Ali Khedr (Textiles) Novel Synthesis of Nanoparticles-Based Back Coating Flame-Retardant Materials for Historic Textile Fabrics Conservation Room 255 A (Salt Palace)Harby ezz ElDen • Dina Abd ElGawad • Dina Abd ElGawad PMG Wiki Meeting Room 255 E (Salt Palace)

12:00pm MDT

(Book & Paper) BPG Wiki Discussion: Conservation of Books and Paper in Historic House Settings Room 155 BC (Salt Palace)Sandrine Blais • Michelle C. Smith

1:00pm MDT

Preventive Care Idea Fair Room 355 D (Salt Palace)Tru Vue Inc.

10:30am MDT

(Archaeological Heritage) The Mystery of the Frankenphora: Treatments and Ethics of a Composite Amphora Room 355 C (Salt Palace)Olivia Haslam • Olivia Haslam (Book & Paper) Assessing Collections At The Library of Congress: The Human Aspects For Sustainability Room 155 BC (Salt Palace)Beatriz Haspo • Beatriz Haspo (Contemporary Art, Electronic Media) Timekeeper: Caring for a Complex Installation by Sarah Sze Room 355 B (Salt Palace)sasha arden • Esther Chao • Piotr Chizinski • Tess Bronwyn Hamilton • James Hughes • Agathe Jarczyk • Jeffrey Warda • Elizaveta Yuzhakova • Piotr Chizinski (Paintings, Textiles) Laser Cleaning in the Treatment of a Vandalized Unprimed Canvas Room 255 BC (Salt Palace)Bartosz Dajnowski • Amber L. Kerr • Keara Teeter • Bartosz Dajnowski • Amber L. Kerr • Otego (Photographic Materials) Achievements and Reflections on A Three-Year Collaborative Project In Photograph Conservation Room 255 E (Salt Palace)Clara von Waldthausen • Clara von Waldthausen (Research & Technical Studies) Alteration of Materials and of Meaning in an Early 16th C. Upper Rhenish Devotional Manuscript Room 355 EF (Salt Palace)Meghan Hill • Cindy Connelly Ryan • Marianna Stell • Cindy Connelly Ryan (Architecture) Revisiting the Efficacy of Plaster Repair Technologies of the Last 40 Years - an ASG/APT Joint Panel Room 255 F (Salt Palace)Heather Hartshorn • Naomi Kroll • Brooke Russell • Mary Slater (Objects & Preventive Care) Arsenic: A Collection Component Room 155 EF (Salt Palace)Lisa Goldberg • Timothy Greening • David Hinkamp • Ingrid Neuman • Nancie Ravenel • Fran E. Ritchie • Kerith Koss Schrager • Julia Sybalsky • Melissa Tedone

11:00am MDT

(Archaeological Heritage) Repeat Photography and Virtual Reconstruction of Los Santos de Ángeles de Guevavi, Tumacácori National Historical Park, Arizona Room 355 C (Salt Palace)Frank Matero • Ha Leem Ro • Ha Leem Ro (Book & Paper) Merging of Techniques to Unite Historical Integrity with Function: Treatment of the Hebrew Union College 1526 Prague Haggadah Room 155 BC (Salt Palace)Ashleigh N. Ferguson Schieszer • Ashleigh N. Ferguson Schieszer (Contemporary Art, Electronic Media) A Journey into the Preservation of Time-Based Media: The Example of the Heritage Conservation Centre in Singapore (Part I) Room 355 B (Salt Palace)Melanie Barrett • Mar Cruz • Ariane Lo • Christel Pesme • Fabiola Rocco • Alex Soo • Kezia Toh • Jo-Anne Wong • Fabiola Rocco (Paintings, Textiles) Henri Matisse's Silkscreen on Linen, Edition of 60, Oceanie, Le Ciel and La Mer, 1946-49: More Examples, Some Discoveries, Remaining Quandaries Room 255 BC (Salt Palace)Rebecca T. Johnson-Dibb • Mary Kaldany • Patsy Orlofsky • Mary Kaldany • Otego (Photographic Materials) Photography: A Great Change of Meaning Room 255 E (Salt Palace)Lénia Oliveira Fernandes • Pablo Ruiz • Pablo Ruiz (Research & Technical Studies) Mechanisms of Decay: Rapid Weathering of Outdoor Basalt Sculptures Room 355 EF (Salt Palace)Gelu Costin • Jane C. Gillies • Bavan Rajan • Kirsten Siebach • Jane C. Gillies

11:30am MDT

(Archaeological Heritage) Just Keep Consolidating: Managing Challenge and Change with the Cypriot Conservation Project Room 355 C (Salt Palace)Emily Brown (Book & Paper) Sắc Phong – A Preliminary Investigation of Vietnamese Imperial Proclamations Room 155 BC (Salt Palace)Fiona Beckett • Jiuan Jiuan Chen • Victor Chen • Vu Do • Emily Hamilton • Aaron Shugar • Theresa J. Smith • Vu Do (Contemporary Art, Electronic Media) Dynamic Objects, Evolving Collections: A New Approach To Changeability At The National Museum of Australia Room 355 B (Salt Palace)Asti Sherring • Asti Sherring (Paintings, Textiles) Conserving Canvas: Cotton Duck Room 255 BC (Salt Palace)Ellen Davis • Michael Duffy • Laura Mina • Matthew Skopek • Ellen Davis • Otego (Photographic Materials) A Legacy of Stars: Preservation of The Williamina Fleming Astronomical Glass Plates From Harvard College Observatory Room 255 E (Salt Palace)Samara Ayvazian-Hancock • Elena Bulat • Thom Burns • Tess Bronwyn Hamilton • Amanda Maloney • Debora Mayer • Arthur McClelland • Georgina Rayner • Elena Bulat • Tess Bronwyn Hamilton (Research & Technical Studies) Not All That's White Is Salt: Encountering Lead Corrosion on Glazed Ceramics Room 355 EF (Salt Palace)Klaus Achterhold • Markus Roos • Thomas Schindler • Isabel Wagner • Isabel Wagner

2:00pm MDT

(Architecture) Lighthouses: The Evolving Character of an Unchanging Beacon Room 255 F (Salt Palace)Susan Pranger • Susan Pranger (Contemporary Art, Wooden Artifacts) Conserving Please Be Seated: Five Decades of Studio Furniture in Public Use Room 255 D (Salt Palace)Christine Storti • Christine Storti (Objects) Steel Yourself: Addressing Internal Secrets of A Beverly Pepper Room 155 (Salt Palace)Claire Taggart • Claire Taggart (Paintings, Textiles) Unravelling Mysteries: The Discoveries and Challenges of Remounting an Oversized Thangka Painting Room 255 BC (Salt Palace)Sun-hsin Hung • Sun-hsin Hung • Otego (Preventive Care) Art and Heritage in Transport: Perception and Statistics Room 355 C (Salt Palace)William Wei • William Wei (Research & Technical Studies) A Study of the Use of Acacia Nilotica Seed Pods to Produce a Distinctive, Black Paint for Bwa and Mossi Polychrome Wood Masks in Burkina Faso Room 355 EF (Salt Palace)Stephanie Hornbeck • Richard Newman • Stephanie Hornbeck • Richard Newman (Book & Paper) Art on Paper Discussion Session - Tape and Adhesives: Techniques and Materials for an Age-Old Problem Room 155 BC (Salt Palace)Heather Hendry • Rebecca Pollak (Book & Paper) Library and Archives Discussion Session - Managing Collection Needs and Conservation Practices in the Face of Capacity Challenges. Room 355 B (Salt Palace)Kim Knox Norman • Heather Hamilton • Christine Bethke • Genevieve Pierce Kyle

2:30pm MDT

(Architecture) Synthesized Method of Identifying Salt Efflorescence In Monuments & Buildings Room 255 F (Salt Palace)Sonia Tatiana J. Fraj • Sonia Tatiana J. Fraj (Contemporary Art, Wooden Artifacts) A Macro-Miniature: Conservation of a Large Paul Rudolph Architectural Model Room 255 D (Salt Palace)Elizabeth Peirce • Elizabeth Peirce (Objects) Hubris or Humility? My Treatment Approaches to Working with a Yoruba Orisa Figure of Esu Room 155 (Salt Palace)Céline Wachsmuth • Céline Wachsmuth (Paintings, Textiles) Embracing Mist-Lining: The Structural Treatment of Two Canvas Paintings by Edwin Austin Abbey at the Yale University Art Gallery Room 255 BC (Salt Palace)Nikita Shah • Cynthia Shwarz • Tirza Harris • Nikita Shah • Otego (Preventive Care) Novel Flexible Mounting Systems for Fragile Objects: Making the Impossible Possible Room 355 C (Salt Palace)Angela Chang • Tony Sigel • Tony Sigel (Research & Technical Studies) When One’s Upbringing Guides Scholarly Research: The Technical Examination of a (Purported) Mexican Religious Painting Room 355 EF (Salt Palace)Elsa Arroyo-Lemus • M. Fernanda Delgado Cornelio • Dr. Jocelyn Alcantara Garcia • Catherine Matsen • M. Fernanda Delgado Cornelio

3:00pm MDT

(Architecture) Water: Can It Be the Culprit and the Savior? Room 255 F (Salt Palace)George Reo • Rebecca Wong • George Reo • Rebecca Wong (Contemporary Art, Wooden Artifacts) Considerations of a D. Tanning Sculpture Room 255 D (Salt Palace)Caitlin Sofield • Caitlin Sofield (Objects) Huh…That’s Weird: Revelations and Reflections from the Treatment of a Heavily Restored Staffordshire Pearlware Tankard Room 155 EF (Salt Palace)Allison Kelley • Allison Kelley (Paintings, Textiles) Invisible Suspension: A Tailored Hanging System For Darrel Ellis's Shaped Canvas Artwork 'Untitled (Bedroom Scene)' Room 255 BC (Salt Palace)Jen Munch • Jen Munch • Otego (Preventive Care) Navigating CITES as an Arts Institution: Challenges Encountered with Loans and Acquisitions of Organic Materials at the Met Room 355 C (Salt Palace)Alice Fornari • Netanya Schiff • Alice Fornari • Netanya Schiff (Research & Technical Studies) Eh, Voilà! Encountering the Unexpected in the Treatment of Gustave Caillebotte’s ‘Young Man at His Window’ Room 355 EF (Salt Palace)Douglas MacLennan • Joy Mazurek • Devi Ormond • Karen Trentelman • Douglas MacLennan

3:30pm MDT

(Contemporary Art, Wooden Artifacts) Cellulose Nitrate Film on the Big Screen: Treating an Eames FSW (Folding Screen Wood) Room 255 D (Salt Palace)Olav Bjornerud • Olav Bjornerud (Objects) Art in the Swamp: Outdoor Sculpture Conservation at the New Orleans Museum of Art Room 155 EF (Salt Palace)Ingrid Seyb • Ingrid Seyb (Paintings, Textiles) A Thoughtful Approach to the Structural Treatment of Colonial Latin American Paintings Room 255 BC (Salt Palace)María Elisabet Carnero • Luciana Andrea Feld • Laura Eva Hartman • María Elisabet Carnero • Luciana Andrea Feld • Otego (Preventive Care) Assessment of Air Quality within a Historic House Museum: Particulate Matter and Gas Phase Risks to Collections Room 355 C (Salt Palace)Rosie Grayburn • Liora Mael • Gianna Puzzo • Liora Mael (Research & Technical Studies) What’s on The Bag? Technical Analysis of The Colorants and Printing Techniques Utilized In Frank Stella’s 1984 Tyler Graphics Bag Room 355 EF (Salt Palace)Caroline Carlsmith • Devon Lee • Caroline Carlsmith • Devon Lee

3:45pm MDT

(Contemporary Art) Blinking Outside The Box: The Treatment of Sol Lewitt's Wall Structure In Nine Parts, Each Containing a Work of Art by Other Artists, 1963 Room 255 D (Salt Palace)Elisse Brautigam • Nicholas Ecker • Kaela Nurmi • Kaela Nurmi