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Wednesday, May 22 • 2:30pm - 3:00pm
(Objects) The Lion, the Saint, and the Red Robe: Technical Study and Treatment of a 17th-Century Wax Diorama by Caterina de Julianis

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A 17th-century diorama with wax figures titled St. Jerome in the Desert provided a unique opportunity for technical study and conservation treatment at the Straus Center for Conservation and Technical Studies at the Harvard Art Museums. A skillfully executed example of a rarely encountered art form from this period, the diorama captures many facets of religious life in 17th-century Italy as a devotional object with overtones of memento mori. As is the case for many wax objects dating from this period, the diorama blurs the lines between religious object, work of fine art, and anatomical model. The artist, Caterina de Julianis, was a Neapolitan nun whose legacy has been overshadowed by that of her male teacher in art historical scholarship; few firmly attributed examples of her work exist in public collections. The goal of the project was therefore to add to the body of knowledge about this artist’s working methods and materials and to shine a light on a lesser-known female artist, as well as to prepare the object for eventual display. The diorama is composed of a wooden frame built around an interior box enclosed behind glass, which contains pigmented beeswax figures and scenery, glass, an oil painting on copper, and plant fiber elements. Careful consideration was made in the decision to open the enclosed diorama to accurately assess its condition and facilitate instrumental analysis. This investigation characterized the artist’s materials and techniques but also revealed the presence of old and unstable restoration materials, many of which were obscuring original surfaces. The specific locations of these materials indicated that the previous restoration campaign involved a near-complete disassembly and reassembly. Treatment involved surface cleaning, partial disassembly, removal of old restoration materials, consolidation, and aesthetic compensation. Although the treatment necessitated a degree of compromise due to changes made during the previous restoration campaign, it ultimately resulted in stabilization and improved legibility of the composition.

Authors
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Katherine Eremin

Patricia Cornwell Sneior Conservation Scientist, Straus Center for Conservation and Technical Studies
Katherine Eremin is the Patricia Cornwell Senior Conservation Scientist at the Straus Center for Conservation and Technical Studies at the Harvard Art Museums. Katherine studied Natural Sciences at the University of Cambridge and received a PhD in metamorphic petrology from the University... Read More →
avatar for Angela Chang

Angela Chang

Assistant Director, Senior Conservator of Objects and Sculpture, and Head of Objects Lab, Harvard Art Museums, Straus Center for Conservation
Angela Chang is the Assistant Director of the Straus Center for Conservation and Technical Studies, Conservator of Objects and Sculpture, and Head of the Objects Lab at the Harvard Art Museums in Cambridge, Massachusetts. She earned her M.S. from the Winterthur/University of Delaware... Read More →
avatar for Georgina Rayner

Georgina Rayner

Conservation Scientist, Straus Center for Conservation and Technical Studies
Georgina Rayner is the Associate Conservation Scientist at the Straus Center for Conservation and Technical Studies, Harvard Art Museums. Prior to this role Georgina was the Andrew W. Mellon Postdoctoral Fellow in Conservation Science at the same institution. Georgina holds a Masters... Read More →
avatar for Adrienne Gendron

Adrienne Gendron

Objects Conservation Fellow, Harvard Art Museums
Adrienne Gendron (she/her) is an objects conservator with interests in organic materials as well as ethics, decision-making, and health and safety. She is currently the Objects Conservation Fellow at the Straus Center for Technical Studies at the Harvard Art Museums. Adrienne holds... Read More →

Speakers
avatar for Adrienne Gendron

Adrienne Gendron

Objects Conservation Fellow, Harvard Art Museums
Adrienne Gendron (she/her) is an objects conservator with interests in organic materials as well as ethics, decision-making, and health and safety. She is currently the Objects Conservation Fellow at the Straus Center for Technical Studies at the Harvard Art Museums. Adrienne holds... Read More →


Wednesday May 22, 2024 2:30pm - 3:00pm MDT
Room 155 EF (Salt Palace)