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Monday, May 20
 

9:00am MDT

1:00pm MDT

2:00pm MDT

2:30pm MDT

3:00pm MDT

4:00pm MDT

5:00pm MDT

 
Tuesday, May 21
 

7:00am MDT

8:00am MDT

8:45am MDT

9:00am MDT

10:00am MDT

1:00pm MDT

1:30pm MDT

2:30pm MDT

4:00pm MDT

6:00pm MDT

7:00pm MDT

7:30pm MDT

 
Wednesday, May 22
 

6:45am MDT

8:30am MDT

8:55am MDT

9:10am MDT

9:25am MDT

9:40am MDT

10:00am MDT

10:40am MDT

10:55am MDT

11:10am MDT

11:25am MDT

11:40am MDT

12:00pm MDT

12:30pm MDT

12:45pm MDT

1:45pm MDT

2:00pm MDT

(Archaeological Heritage, Preventive Care) Underground Conservation: How the Geosciences and Humanities Can Preserve Historic Cemeteries Room 355 C (Salt Palace)Grace Awbrey • Amy Van de Riet • Blair Schneider • Ben Terwilliger • Grace Awbrey (Architecture) Architectural Artwork Removals: The Good, The Bad, and The Surprising Room 255 F (Salt Palace)Tania Alam • Kevin Daly • Tania Alam • Kevin Daly (Book & Paper) New Applications of Lascaux Acrylic Adhesive For Book and Paper Conservation Room 155 BC (Salt Palace)Quinn Morgan Ferris • Marco Valladares • Quinn Morgan Ferris • Marco Valladares (Contemporary Art, Private Practice) Close and Continuous Collaboration: Stewardship in the Conservation of the New York’s Empire State Plaza Collection Room 355 B (Salt Palace)Alfred Lippincott • Abigail Mack • Sarah Montonchaikul • Ellen Rand • Sarah Montonchaikul (Objects) Cannon Care: Resource for Understanding Iron Cannon Coatings and their Preservation Room 155 EF (Salt Palace)Liatte Dotan • Nicole Peters • Fran E. Ritchie • Liatte Dotan (Paintings) A Darkened Canvas and a Mysterious Hand: Analytical Investigation and Sustainable Approaches to the Cleaning of Morris Louis ‘Slide’ (1962) Room 255 BC (Salt Palace)Soraya Alcala • Per Knutås • Silvia Russo • Soraya Alcala (Photographic Materials) New Originals and Former Originals: Jeff Wall’s Trân Dúc Ván Room 255 E (Salt Palace)Jessica Keister • Chris Michaels • Travis K. Snyder • Mary Wilcop • Jessica Keister (Research & Technical Studies) “There Is No Such Thing as a Green Solvent:” Updates from Sustainability in Conservation’s Greener Solvents Project Room 355 EF (Salt Palace)Lisa Clifford • Gwendoline Fife • Rosie Grayburn • Lucile Pourett • Naomi Toyama • Gwendoline Fife • Rosie Grayburn (Textiles) Nizhónígo Hadadít’eh: Mounting Diné Textiles For Exhibition Room 255 A (Salt Palace)Sháńdíín Brown • Anna Rose Keefe • Jessica Urick • Sháńdíín Brown • Anna Rose Keefe • Jessica Urick (Wooden Artifacts) Unwrapped: Four Hundred Years of European Picture Frame History Finally Revealed at The Ago Room 255 D (Salt Palace)Julia Campbell-Such • Julia Campbell-Such

2:30pm MDT

(Archaeological Heritage, Preventive Care) Rediscovering Princess Carolina: Preventive Conservation as a Catalyst for Reengaging with an Archaeological Collection Room 355 C (Salt Palace)William Hoffman • Elsa Sangouard • William Hoffman (Architecture) Cultural Heritage Relocation and Reinterpretation of Collections: The Professional's Dilemma Room 255 F (Salt Palace)David Wessel • David Wessel (Book & Paper) Making a Chinese Woodblock Print Easy on the Eye: Merging Chinese Aesthetics with Western Conservation Methods Room 155 BC (Salt Palace)Ping-Chung Tseng • Ping-Chung Tseng (Contemporary Art, Private Practice) Private Practice, Public Impact: A Collaboration in Preserving Michael Richards' Legacy Room 355 B (Salt Palace)Alex Fialho • Anne L. King • Melissa Levin • Eugenie Milroy • Anne L. King • Eugenie Milroy (Objects) The Lion, the Saint, and the Red Robe: Technical Study and Treatment of a 17th-Century Wax Diorama by Caterina de Julianis Room 155 EF (Salt Palace)Angela Chang • Katherine Eremin • Adrienne Gendron • Georgina Rayner • Adrienne Gendron (Paintings) Discovering Dalí Room 255 BC (Salt Palace)Allison Langley • Katrina Rush • Allison Langley • Katrina Rush (Photographic Materials) Exposing A Photographer's Vision: The Hirshhorn Hologram and Its Many Challenges Room 255 E (Salt Palace)Shannon A. Brogdon-Grantham • Tess M. Cramer • Taylor Healy • Gwenaelle Kavich • Thomas Lam • Stephanie Lussier • Tess M. Cramer • Stephanie Lussier (Research & Technical Studies) Safer Solvent Selection for the Removal and Application of Synthetic Resins Room 355 EF (Salt Palace)Gwendoline Fife • Rosie Grayburn • Bethany Karl • Melinda H. Keefe • Alan Phenix • Vikram Prasad • Robert Wright • Melinda H. Keefe (Textiles) Preserving a Confederate Spy Balloon: Adhesive Treatment of Coated Silk Room 255 A (Salt Palace)Kayla Silvia • Kayla Silvia (Wooden Artifacts) Everything’s Shrine: Removing Difficult Coatings on a Carved Jain House Shrine and Advocating for Realistic Treatment Timelines Room 255 D (Salt Palace)Kelly Marie Rectenwald • Kelly Marie Rectenwald

3:00pm MDT

(Wooden Artifacts and Poster Session) A Preliminary Look At Surface Finishes on 19th-Century Tibetan Furniture Room 255 D (Salt Palace)Jessica Chasen • Laura Maccarelli • Jessica Chasen (Archaeological Heritage, Preventive Care) Preventive Conservation of Archaeological Metals At The Japanese Institute of Anatolian Archaeology In Turkey Room 355 C (Salt Palace)Ian MacLeod • Alice Boccia Paterakis • Alice Boccia Paterakis (Architecture) Taking It Back: Unveiling The Original 1897 Finishes of the Chicago Cultural Center GAR Rooms Room 255 F (Salt Palace)Katharine George • Samantha Van Kollenburg • Katharine George • Samantha Van Kollenburg (Book & Paper) Soluble or Not? Research Outlining Solubility of Water-Soluble Pencils and Pastels Room 155 BC (Salt Palace)Rosaleen Hill • Jennifer Poulin • Lindsay Sisson • Scott Williams • Lindsay Sisson (Contemporary Art, Private Practice) Wade Guyton’s Inkjet Paintings: Artist’s Materials, Technique, and Conservation Challenges Room 355 B (Salt Palace)Giuliana Moretto • Giuliana Moretto (Objects) Navigating The Changing Course: The Evolving Treatment Protocol for the Smithsonian National Air and Space Museum's 1896 Lilienthal Glider Room 155 EF (Salt Palace)Maggie Bearden • Malcolm Collum • Jay Flanagan • Deborah Duerbeck Parr • Daniel Ravizza • Deborah Duerbeck Parr (Paintings) Afraid of The Unknown? What Are Barnett Newman’s Reds, Yellows and Blues? Room 255 BC (Salt Palace)Bradford Epley • Corina Rogge • Corina Rogge (Photographic Materials) An Investigation of Additives In Resin Coated Papers Room 255 E (Salt Palace)Tess Bronwyn Hamilton • Tess Bronwyn Hamilton (Research & Technical Studies) Barriers To Embedding Sustainability In Conservation Education and Practice Room 355 EF (Salt Palace)Chedeya Brown • Ellen Pearlstein • Glenn Wharton • Justine Wuebold • Ellen Pearlstein • Justine Wuebold (Textiles) Measuring Deformation of Tapestries: Focusing on Mechanical Stress During Vertical Display Room 255 A (Salt Palace)Alejandro Schrott • Kisook Suh • Kisook Suh

3:15pm MDT

3:30pm MDT

4:00pm MDT

(Textiles) Inexpensive Methods for Small-Scale Digital Textile Printing Room 255 A (Salt Palace)Jacquelyn Peterson-Grace • Jacquelyn Peterson-Grace (Preventive Care) Are We There Yet? Facilitation Is Our Preventive Conservation Future Room 355 C (Salt Palace)Rebecca Fifield • Rebecca Fifield (Architecture) What If We Find Hoffa? Managing Large Scale Uncertainties Room 255 F (Salt Palace)Xsusha Flandro • Xsusha Flandro (Book & Paper) Plotting a Treatment: The Delamination and Bathing of an Eighteen Foot Manuscript Map Room 155 BC (Salt Palace)Allison Holcomb • Allison Holcomb • Sara Leonowitz (Contemporary Art, Private Practice) The '80s Fascination with Tech Art and Their Conservation Challenges Room 355 B (Salt Palace)Emmanuelle Perron • Emmanuelle Perron (Objects) Tropical Treatment: Testing the Efficacy of Pineapple, Papaya, and Kiwi Juices in the Removal of Adhesives Room 155 EF (Salt Palace)Mariana Di Giacomo • Anna-Colette Haynes • Jasmine Keegan • Mariana Di Giacomo (Paintings) Shedding Light on the Master of Light: Technical Studies of Five Paintings by Joaquín Sorolla y Bastida Room 255 BC (Salt Palace)Kendall Francis • Olivia Kuzio • Devi Ormond • Karen Trentelman • Kendall Francis (Photographic Materials) Polaroid 20×24: Characterization and Investigation of Treatments and Preservation Methods Room 255 E (Salt Palace)Paulina Miasik • Sylvie Pénichon • Paulina Miasik (Research & Technical Studies) A Hairy Situation: Revisiting the Species Attributions of Meret Oppenheim’s Fur-Lined Teacup at the Museum of Modern Art Room 355 EF (Salt Palace)Selin Ates • Kyna Biggs • Dan Kirby • Nathan H. Lents • Caitlin Gozo Richeson • Kyna Biggs • Caitlin Gozo Richeson (Wooden Artifacts) Time May Change Me: A 17th Century Kas Room 255 D (Salt Palace)Kathy Gillis • Emily McClain • Emily McClain

4:15pm MDT

4:20pm MDT

4:30pm MDT

(Architecture) Them's the Breaks: Managing Conservation Through Construction Room 255 F (Salt Palace)Jennifer Kearney • Jennifer Kearney (Book & Paper) Will The Circle Be Unbroken?: A Case Study in Addressing Acceptable Loss, Historic Conservation Techniques, and Project Burn Out on a 1732-1796 South Carolinian Church Register Room 155 BC (Salt Palace)Kathryn Boodle • Jessica H. Henze • Audrey Jawando • Kathryn Boodle • Jessica H. Henze (Contemporary Art, Private Practice) A Framework for Sustainable Courier Practices: Developing a Bookend Courier Workshop and Network Room 355 B (Salt Palace)Lauren Fly • Samantha Springer • Lauren Fly • Samantha Springer (Objects) Behind the Scenes with Joe Kubert, Comic Book Legend (and Tape Enthusiast): Conserving and Displaying an Artist's Desk Room 155 EF (Salt Palace)Leah Humenuck • Leah Humenuck (Paintings) While Angels Watched; Restoration of Thomas Cole's Monumental Painting, The Angel Appearing To The Shepherds Room 255 BC (Salt Palace)Marla Curtis • Catalina Vasquez- Kennedy • Mark Lewis • Jennifer Myers • Katelyn Rovito • Mark Lewis • Katelyn Rovito (Photographic Materials) When the Pellicular Burlesque Turns into the Pellicular Nightmare Room 255 E (Salt Palace)Marie-lou Beauchamp • Marie-lou Beauchamp (Research & Technical Studies) Novel Non-Invasive Method for Extracting Proteinaceous Binders from Panel Paintings Room 355 EF (Salt Palace)Jin Dong • Zhanyun Zhu • Zhanyun Zhu (Textiles) Tradition and Innovation: Evaluating Conservation Treatments for a Buddhist Embroidery Mounted as a Hanging Scroll Room 255 A (Salt Palace)Sara Ribbans • Sara Ribbans (Wooden Artifacts) The Dahshur Boat of Senwosret III: An Analytical Study of a 4,000-Year-Old Wooden Boat Room 255 D (Salt Palace)Gretchen Anderson • Lisa Haney • Mostafa Sherif • Gretchen Anderson • Mostafa Sherif

4:40pm MDT

5:00pm MDT

6:30pm MDT

 
Thursday, May 23
 

6:45am MDT

8:15am MDT

8:30am MDT

(Poster and Book & Paper Sessions) Analysis and Assessment of the Degradative Properties of Strawboard as a Secondary Support Room 155 BC (Salt Palace)Jenni Krchak • Rebecca Ploeger • Aaron Shugar • Theresa J. Smith • Jenni Krchak (Contemporary Art) Poured Color: The Pigmented Latex Rubber Artwork of Lynda Benglis Room 355 B (Salt Palace)Christina Bisulca • Margo Delidow • Elizabeth Homberger • Margo Delidow (Electronic Media) The Migration of Gary Hill’s Interactive Video Installation Tall Ships (1992) Room 255 D (Salt Palace)Cass Fino-Radin • Daniel Mauro • Samantha Owens • Cass Fino-Radin • Daniel Mauro • Samantha Owens (Objects) The Surrealist and the Saint: A Two-Sculpture Journey into Marisol and the 1960s Room 155 EF (Salt Palace)Jiuan Jiuan Chen • Emily Hamilton • Rebecca Ploeger • Ruthie Rolfsmeyer • Aaron Shugar • Ruthie Rolfsmeyer (Paintings) Blurred Lines: Techniques, Materials, and Ethical Considerations in Conserving the Hard-Edge Paintings of Leon Polk Smith Room 255 BC (Salt Palace)Kaitlin Ammon • Kelsey Marino • Elizabeth Nunan • Elizabeth Nunan (Research & Technical Studies) Advancing Conservation Techniques Through Deep Learning of Optical Coherence Tomography Images For Classifying Kozo-Fibered Papers Room 355 EF (Salt Palace)Ayush Kale • Xuan Liu • Yuwei Liu • Sarah Reidell • Yi Yang • Yi Yang (Sustainability) A Toolbox for Spurring Climate Action Room 355 C (Salt Palace)Amy Crist • Roxane Sperber (Textiles) Treatment in Reality: The Conservation of an 18th Century Painted Silk Gown from the Collection of Asian Civilisations Museum, Singapore Room 255 A (Salt Palace)Chuance Chen • Chuance Chen

8:45am MDT

9:00am MDT

(Book & Paper and Poster) Soft Clouds: Material Analysis of Historical Paste Papers from the Rosamond B. Loring Collection of Decorated Papers Room 155 BC (Salt Palace)Mitchel Gundrum • Debora Mayer • Kelli Piotrowski • Mitchel Gundrum (Contemporary Art) Preservation of the Plastic Objects in the Harvard Art Museums’ Fluxus Collection Room 355 B (Salt Palace)Susan Costello • Georgina Rayner • Susan Costello (Electronic Media) A Changing Solution For Ever-Changing Challenges: Photoflicks and Photofictions By Lucas Samaras Room 255 D (Salt Palace)Joshua Churchill • Mark Hellar • Shu-Wen Lin • Joshua Churchill • Shu-Wen Lin (Objects) A Flare for the Unexpected: Incendiary Devices in the Collection of the Mariners’ Museum and Park Room 155 EF (Salt Palace)Erik R. Farrell • Erik R. Farrell (Paintings) Called to Create/Called to Conserve: An Auxiliary Support for a Painting on Plywood, Birdman Trainer by Joe Light Room 255 BC (Salt Palace)Sue Ann Chui • Derek Lintala • Sue Ann Chui • Derek Lintala (Photographic Materials) The Complex Light and Dark Storage Stability Behaviors of Different Dye-Sublimation Inksets Printed on Chromaluxe Standard (“Indoor”) and Ext (“Outdoor”) Coated Aluminum Panels (often... Room 255 E (Salt Palace)Henry Wilhelm • Henry Wilhelm (Research & Technical Studies) Wood Identification in Historic Furniture: Optimization of Machine Learning Approaches for Processing LIBS and Py-GC/MS Data Room 355 EF (Salt Palace)John Stuart Gordon • Richard R. Hark • Patricia Kane • Chandra Throckmorton • Randy Wilkinson • Richard R. Hark (Sustainability) Building a Climate of Hope: Developing Climate Exhibits for Shared Engagement and Learning Room 355 C (Salt Palace)Lisa Thompson • Dr. Lynne Zummo (Textiles) From Dust to Display: Collaborative Re-Assembly of an Object Received With Damage Room 255 A (Salt Palace)Megan Creamer • Haddon Dine • Andrew Talley • Megan Creamer

9:15am MDT

9:30am MDT

(Book & Paper) POV: An Archives Conservation Lab’s Efforts in Reaching Out and Levelling Up Room 155 BC (Salt Palace)Ayaka Ajiki • Sanira Beevi • Cassandra Tang • Ayaka Ajiki • Cassandra Tang (Contemporary Art and Poster) Plastilina, Plastiline, Plasticine: A Study of the First Industrial Modeling Pastes Invented at the End of the 19th Century Room 355 B (Salt Palace)Sonia Tatiana J. Fraj • Sonia Tatiana J. Fraj (Research & Technical Studies and Poster) Plastics Bingo!: Identifying Plastics in the Collections of Cooper Hewitt, Smithsonian Design Museum Room 355 EF (Salt Palace)Sarah Barack • James Hughes • Jessica Walthew • James Hughes (Electronic Media) Tending to Time-Based Media Art in Aotearoa, New Zealand Room 255 D (Salt Palace)Asti Sherring • Asti Sherring (Objects) The (Inherent) Vices and Virtues of A Dreamscape Parchment Paravent By Mohamed Zouzaf Room 155 EF (Salt Palace)Kathryn Boodle • Terra L. Huber • Kathryn Boodle (Paintings) From D-List to the A-List: Embracing Maria Luigia Raggi’s Unexpected Painting Supports Room 255 BC (Salt Palace)Blair Bailey • Daniela Molinari • Robert Simon • Blair Bailey (Photographic Materials) Seeing The Invisible: on Multispectral Imaging of Photographs Room 255 E (Salt Palace)Anna Seweryn • Tomasz Łojewski • Anna Seweryn (Sustainability) AIC and FAIC’s Commitment to Sustainability Room 355 C (Salt Palace) (Textiles) Surprising Sophistication: The Colorful Textiles of Karanis, Egypt Room 255 A (Salt Palace)Suzanne Davis • Laurel Fricker • Caroline Roberts • Suzanne Davis

9:45am MDT

10:00am MDT

10:30am MDT

(Architecture, Preventive Conservation) Differential Durability: Could Deterioration Be Hidden Within Your Wall Assembly? Room 255 F (Salt Palace)Cameron Moon • Cameron Moon (Book & Paper) Starr-Crossed or Serendipitous? The Unexpected Move of Columbia University’s C.V. Starr East Asian Library Room 155 BC (Salt Palace)Morgan Adams • Rachael Arenstein • Alexis Hagadorn • Emily Holmes • Emily Lynch • Eugenie Milroy • Emily Lynch • Eugenie Milroy (Contemporary Art) Does The Nose Know? Challenges and Successes During a Study of Montien Boonma’s House of Hope Room 355 B (Salt Palace)Kyna Biggs • Soon Kai Poh • Catherine H. Stephens • Lynda Zycherman • Catherine H. Stephens (Electronic Media) The Landscape of Blockchain-Based Art Preservation: Risk Assessment of 81 Horizons by Rafaël Rozendaal Room 255 D (Salt Palace)Ellen Jansen • Olivia J. Schoenfeld • Olivia J. Schoenfeld (Objects) Preservation Efforts along Totem Trail at Sitka National Historical Park: Navigating Climate Change, Tourism, and the Global Pandemic Room 155 EF (Salt Palace)Al Levitan • Casey Oehler • Nicole Peters • Curtis Sullivan • Nicole Peters (Paintings) Experiments With Vinyl Paint: Technical Analysis of Two Paintings By Lancelot Ribeiro Room 255 BC (Salt Palace)Patricia Smithen • Patricia Smithen (Photographic Materials) Identifying Material Similarities Between The Photographs of Lola Álvarez Bravo and Tina Modotti Room 255 E (Salt Palace)Bryanna Knotts • Katherine Mintie • Cynthia Yue • Bryanna Knotts (Research & Technical Studies) Evaluating the Light-Stability of Roasted Arsenic Sulfide Pigments Room 355 EF (Salt Palace)Celia Chari • Katherine Eremin • Anjali Jain • Jinah Kim • Shao-Liang Zheng • Celia Chari (Textiles) Eco-Friendly Nano Magnetic Sponge Agent and A Multi-Analytical Approach To Assessment The Use of Cross-Linked Polymer Used In Removing Rust Stains From Natural Dyed Protein-Based Textiles Samples. Room 255 A (Salt Palace)Wael Mohamed • HebaAllah saad • HebaAllah saad (Sustainability) Life Cycle Assessment Panel Discussion Room 355 C (Salt Palace)Dr. Matthew Eckleman • Sarah Nunberg • Cassandra Thiel

11:00am MDT

(Photographic Materials) Searching For Treasures: Unidentified Early Color Photographs in Slovakia Room 255 E (Salt Palace)Janka Blaško Križanová ArtD. • Kitti Barathova • Kitti Barathova (Architecture, Preventive Conservation) Revealing Hidden Threats: Monitoring Ambient Air Quality to Preserve Silver Treasures in the 15th-Century Mehrangarh Fort Museum, Jodhpur, India Room 255 F (Salt Palace)Vikram Singh Rathore • Sunayana Rathore • Vandana Singh • Vikram Singh Rathore (Book & Paper Sessions) The Collections Won't Pack Themselves: A Preservation and Special Collections Collaboration Room 155 BC (Salt Palace)Amber Cooper • Sally Crutcher • Mary Leverance • Estefani Mann • Mary Leverance (Contemporary Art) Niki de Saint Phalle’s Tarot Garden: Photogrammetry as an Aid in the Documentation of the Sculpture Park Room 355 B (Salt Palace)Damiano Aiello • Luigi Barazzetti • Elyse Hamp • Caroline Longo • Flavia Perugini • Mario Santana Quintero • Damiano Aiello • Caroline Longo (Electronic Media) An Experiment in Art and Technology: Negotiating with Time in Robert Rauschenberg’s Carnal Clocks Room 255 D (Salt Palace)Reinhard Bek • Christine Frohnert • Adrian Hernandez • Daniella Briceño Villamil • Adrian Hernandez • Daniella Briceño Villamil (Objects) Bones, Epoxy, and Cotton Balls, Oh My!: The Treatment of Two Thornton Dial Artworks Room 155 EF (Salt Palace)Kaela Nurmi • Kaela Nurmi (Paintings) Rediscovering and Restoring The Harvard Art Museum’s Cardona Altarpiece Room 255 BC (Salt Palace)Celia Chari • Alexandra Chipkin • Cristina Morilla • Celia Chari • Alexandra Chipkin • Cristina Morilla (Research & Technical Studies) Using Projection Mapping to Reduce Damage to Light-Sensitive Paintings Room 355 EF (Salt Palace)Alp Durmus • Alp Durmus (Textiles) Innovative Conservation Method of Egyptian Historical Textiles By Using Covalently Immobilized Enzymes on Nanoparticles Room 255 A (Salt Palace)Harby Ahmed • Mahmoud Andaho • Sawsan Darwish • Mohamed Elbehery • Ahmed Elsepaey • Mohamed Elzoghby • Mohamed Hassan

11:30am MDT

(Architecture, Preventive Conservation) When The Art's In The Way: The Complex Nature of Moving Large-Scale Artefacts and Public Art Room 255 F (Salt Palace)Kelly Caldwell • Kelly Caldwell (Book & Paper) Wet Recovery: The National Library of Jamaica's Perspective Room 155 BC (Salt Palace)Lisa-Ann Norris • Lisa-Ann Norris (Contemporary Art) The Unexpected at Every Turn: Yve Laris Cohen’s Studio/Theater Room 355 B (Salt Palace)Yve Laris Cohen • Naomi Kroll • Michele Marincola • Lynda Zycherman • Yve Laris Cohen • Michele Marincola (Electronic Media) Restoration of “Chance Words” by Augusto de Campos: The Poem behind the Scenes Written in Flash Code Room 255 D (Salt Palace)Marcela Vieira • Marcela Vieira (Objects) Adventures in (Re)Constructing and Conserving a Thai Thammat Room 155 EF (Salt Palace)Gregory Bailey • Angela Elliott • Stephanie Hulman • Jennifer Mikes • Katharine Shulman • Gregory Bailey • Angela Elliott (Paintings) Case Study: An Alternative To Canvas Lining Room 255 BC (Salt Palace)Bitzy Couling • Oliver Watkiss • Bitzy Couling (Research & Technical Studies) Application of PECVD in the Conservation of Metallic Cultural Heritage Room 355 EF (Salt Palace)Yasmin Sayed Ahmed • Mohamed Soliman Ali Khedr (Textiles) Novel Synthesis of Nanoparticles-Based Back Coating Flame-Retardant Materials for Historic Textile Fabrics Conservation Room 255 A (Salt Palace)Harby ezz ElDen • Dina Abd ElGawad • Dina Abd ElGawad PMG Wiki Meeting Room 255 E (Salt Palace)

12:00pm MDT

12:45pm MDT

1:00pm MDT

1:15pm MDT

2:00pm MDT

2:30pm MDT

3:00pm MDT

3:30pm MDT

4:00pm MDT

4:20pm MDT

4:30pm MDT

4:40pm MDT

5:00pm MDT

5:45pm MDT

6:00pm MDT

6:30pm MDT

8:00pm MDT

 
Friday, May 24
 

6:45am MDT

8:15am MDT

10:30am MDT

(Archaeological Heritage) The Mystery of the Frankenphora: Treatments and Ethics of a Composite Amphora Room 355 C (Salt Palace)Olivia Haslam • Olivia Haslam (Book & Paper) Assessing Collections At The Library of Congress: The Human Aspects For Sustainability Room 155 BC (Salt Palace)Beatriz Haspo • Beatriz Haspo (Contemporary Art, Electronic Media) Timekeeper: Caring for a Complex Installation by Sarah Sze Room 355 B (Salt Palace)sasha arden • Esther Chao • Piotr Chizinski • Tess Bronwyn Hamilton • James Hughes • Agathe Jarczyk • Jeffrey Warda • Elizaveta Yuzhakova • Piotr Chizinski (Paintings, Textiles) Laser Cleaning in the Treatment of a Vandalized Unprimed Canvas Room 255 BC (Salt Palace)Bartosz Dajnowski • Amber L. Kerr • Keara Teeter • Bartosz Dajnowski • Amber L. Kerr • Otego (Photographic Materials) Achievements and Reflections on A Three-Year Collaborative Project In Photograph Conservation Room 255 E (Salt Palace)Clara von Waldthausen • Clara von Waldthausen (Research & Technical Studies) Alteration of Materials and of Meaning in an Early 16th C. Upper Rhenish Devotional Manuscript Room 355 EF (Salt Palace)Meghan Hill • Cindy Connelly Ryan • Marianna Stell • Cindy Connelly Ryan (Architecture) Revisiting the Efficacy of Plaster Repair Technologies of the Last 40 Years - an ASG/APT Joint Panel Room 255 F (Salt Palace)Heather Hartshorn • Naomi Kroll • Brooke Russell • Mary Slater (Objects & Preventive Care) Arsenic: A Collection Component Room 155 EF (Salt Palace)Lisa Goldberg • Timothy Greening • David Hinkamp • Ingrid Neuman • Nancie Ravenel • Fran E. Ritchie • Kerith Koss Schrager • Julia Sybalsky • Melissa Tedone

11:00am MDT

11:30am MDT

12:00pm MDT

2:00pm MDT

2:30pm MDT

3:00pm MDT

3:30pm MDT

3:45pm MDT

4:00pm MDT

7:00pm MDT

(Poster) Evaluation of Starch and Cellulose Based Consolidation Materials on the Mechanical Properties of Papyrus Exhibit Hall: Hall 1 (Salt Palace)Rasha Hassanein Ahmed Hassan (Research & Technical Studies and Poster Session) 13. Developing Genomic Tools to Determine the Maker of a Modern Gofun Paint Preparation Exhibit Hall: Hall 1 (Salt Palace)Ann-Marie Abunyewa • Julie Arslanoglu • Christopher Mason • Jennifer Perry • Ann-Marie Abunyewa (Wooden Artifacts and Poster Session) A Preliminary Look At Surface Finishes on 19th-Century Tibetan Furniture Exhibit Hall: Hall 1 (Salt Palace)Jessica Chasen • Laura Maccarelli • Jessica Chasen 01. (Poster) Mapping Values and Brazilian Users’ Expectations for the Lifetime of Modern and Contemporary Textile Heritage Objects: A Step Towards Modeling Change Exhibit Hall: Hall 1 (Salt Palace)Teresa Paula • Thiago Sevilhano Puglieri • Laís Sidou • Laís Sidou 02. (Poster) Overview of the Work of the Leather Discussion Group, a Cross-Institutional Collaboration Exhibit Hall: Hall 1 (Salt Palace)Holly Herro • William Minter • Katharine Wagner • Kristi Wright • Katharine Wagner • Kristi Wright 03. (Poster) Introducing a Georeferenced Leather Database: Building a Collaborative Global Repository for Leather Research, Techniques, and Trends Exhibit Hall: Hall 1 (Salt Palace)Holly Herro • William Minter • Katharine Wagner • Kristi Wright • Kristi Wright 04. (Poster) Step by Step: The Reconstruction of Waterlogged Leather Shoes Exhibit Hall: Hall 1 (Salt Palace)Melissa Allen • Johanna Rivera • Melissa Allen 05. (Poster) Just Put One Foot in Front of the Other: The Twenty-Year Conservation Journey of Sixteen Archaeological Leather Shoes Exhibit Hall: Hall 1 (Salt Palace)Melissa Allen • Nicholas DeLong • Johanna Rivera • Johanna Rivera 06. (Poster and Book & Paper) Repairing Modern First Edition Dust Jackets Without Fills or Inpainting: A Conservative Approach Exhibit Hall: Hall 1 (Salt Palace)Christopher Sokolowski • Christopher Sokolowski 07. (Book & Paper and Poster) Soft Clouds: Material Analysis of Historical Paste Papers from the Rosamond B. Loring Collection of Decorated Papers Exhibit Hall: Hall 1 (Salt Palace)Mitchel Gundrum • Debora Mayer • Kelli Piotrowski • Mitchel Gundrum 08. (Poster and Book & Paper) A New Technique for Strengthening of Naturally Degraded Acidic Paper with Cellulose Fibers Coating Exhibit Hall: Hall 1 (Salt Palace)Ryota Kose • Takayuki Okayama • Masazumi Seki • Naoko Sonoda • Yuki Tanaka • Ryota Kose 09. (Poster and Book & Paper Sessions) Analysis and Assessment of the Degradative Properties of Strawboard as a Secondary Support Exhibit Hall: Hall 1 (Salt Palace)Jenni Krchak • Rebecca Ploeger • Aaron Shugar • Theresa J. Smith • Jenni Krchak 10. (Poster and Book & Paper) The Production and Deformation of Drying Boards Exhibit Hall: Hall 1 (Salt Palace)Ting-Fu Fan • Yi-Chiung Lin • Ting-Fu Fan • Yi-Chiung Lin 11. (Contemporary Art and Poster) Blinking Outside The Box: The Treatment of Sol Lewitt's Wall Structure In Nine Parts, Each Containing a Work of Art by Other Artists, 1963 Exhibit Hall: Hall 1 (Salt Palace)Elisse Brautigam • Nicholas Ecker • Kaela Nurmi • Kaela Nurmi 12. (Contemporary Art and Poster Sessions) Plastilina, Plastiline, Plasticine: A Study of the First Industrial Modeling Pastes Invented at the End of the 19th Century Exhibit Hall: Hall 1 (Salt Palace)Sonia Tatiana J. Fraj • Sonia Tatiana J. Fraj 14. (Research & Technical Studies and Poster sessions) Plastics Bingo!: Identifying Plastics in the Collections of Cooper Hewitt, Smithsonian Design Museum Exhibit Hall: Hall 1 (Salt Palace)Sarah Barack • James Hughes • Jessica Walthew • James Hughes 15. (Textiles and Poster Session) No Time to Dye: Simulating Dye Recipes with the “Test Tube Method” Exhibit Hall: Hall 1 (Salt Palace)Abigail Lenhard • Abigail Lenhard 16. (Poster) Dyeing, Curling, and Conservation Hairspray: Reproduction of Pink Ostrich Feathers on an Ann Lowe Gown Exhibit Hall: Hall 1 (Salt Palace)Andrea Goldstein • Katherine Sahmel • Andrea Goldstein 17. (Wooden Artifacts and Poster Session) The Use of Fiber Optics Spectroscopy for the Identification of Wood Exhibit Hall: Hall 1 (Salt Palace)Elly Stewart Davis • Aaron Shugar • Elly Stewart Davis 18. (Poster) The Conservation of Tutankhamun’s Gilded Wooden Bed Exhibit Hall: Hall 1 (Salt Palace)Safwat Mohamed Sayed Aly • Dr. Hussein Kamal • Hadeel Khalil • Abeer Thabet • Safwat Mohamed Sayed Aly • Dr. Hussein Kamal 19. (Poster) Galleries With Windows: Strategies for Collecting and Processing Light Data Exhibit Hall: Hall 1 (Salt Palace)Alayna Bone • Eric Breitung • Alayna Bone 20. (Poster) Examination and Analysis of Burnt Stucco Window in the Stores of the Museum of Islamic Art, Cairo, Egypt Exhibit Hall: Hall 1 (Salt Palace)Nagah Abuseif • Hala Mahmoud Afifi • Mona Fouad Ali • Amal Mohammed Lotfy • Nagah Abuseif • Amal Mohammed Lotfy 21. (Poster) The raw canvases of Morris Louis and Gene Davis: structural treatments using sailmaking techniques Exhibit Hall: Hall 1 (Salt Palace)Amber L. Kerr • Keara Teeter • Amber L. Kerr • Keara Teeter 22. (Poster) Non-Drying Soy-Based Ink Prints: Handling and Storage Challenges Exhibit Hall: Hall 1 (Salt Palace)Amy E. Hughes • Sarah Purnell • Amy E. Hughes • Sarah Purnell 23. (Poster) Sharp Thinking: Thorns as Cleaning Tools in a North American Conservation Lab Exhibit Hall: Hall 1 (Salt Palace)Arianna Johnston • Arianna Johnston 25. (Poster) Crossing the 'T's: Overcoming Mounting Obstacles at the Architecture Archives Exhibition Exhibit Hall: Hall 1 (Salt Palace)Ayaka Ajiki • Cassandra Tang • Ayaka Ajiki • Cassandra Tang 26. (Poster) Thinking Inside The Box: Housing Solutions For Unconventional Book Formats Exhibit Hall: Hall 1 (Salt Palace)Clare Manias • Andrijana Sajic • Clare Manias • Andrijana Sajic 28. (Poster) Building A Better Clamshell Box: An Evaluation and Study of Commonly Used and Experimental Adhesives For Traditional Rare Book Boxes Exhibit Hall: Hall 1 (Salt Palace)Claire Dekle • Kathryn Kenney • Eric Monroe • Dan Paterson • Kelli Stoneburner • Kathryn Kenney 29. (Poster) Silicone-Based Solvents For The Removal of Pressure Sensitive Tape Exhibit Hall: Hall 1 (Salt Palace)Diane E Knauf • Madalyn Meehan • Diane E Knauf 29. (Poster) What Do Conservators Think Today about the Protection of the Back of Painting on Canvas? Exhibit Hall: Hall 1 (Salt Palace)Daniel Morales-Martín • Alicia Sánchez Ortiz • Daniel Morales-Martín 32. (Poster) Comparison of Colorimetric and Photographic Interpretation of A-D Strips®: L*A*B* to RGB Exhibit Hall: Hall 1 (Salt Palace)Emilie Duncan • Molly McGath • Lindsey Zachman • Emilie Duncan 33. (Poster) Narrating Change: Digital Storytelling as a Tool for Personal Growth in Conservation Exhibit Hall: Hall 1 (Salt Palace)Teti Dragas • Emily Williams 34. (Poster) Conservation Documentation Archive at Duke University Libraries Exhibit Hall: Hall 1 (Salt Palace)Erin Hammeke • Erin Hammeke 35. (Poster) On the Border of Preservation: Where to Start? Establishing a Comprehensive Preservation Program at University of Arizona Libraries Special Collections Exhibit Hall: Hall 1 (Salt Palace)Fleur van der Woude • Fleur van der Woude 36. (Poster) Conservation Sparks Change on Waste Management Outlook Conservation of Frescoes in the Shekhawati Region, India Exhibit Hall: Hall 1 (Salt Palace)Giovanna Carravieri • Cecile Charpentier • Sabine Cotte • Harpreet Tanday • Giovanna Carravieri • Cecile Charpentier 37. (Poster and Preventive Care) Street v. Art: A Case Study of Mold Remediation and Community Participation at the George Floyd Global Memorial Exhibit Hall: Hall 1 (Salt Palace)Nylah Byrd • Nylah Byrd 38. (Poster) Treatment of a 17th-Century Dutch Military Portrait: Reflecting on an Unexpected Lining Process Exhibit Hall: Hall 1 (Salt Palace)Fiona Beckett • Josephine Ren • Josephine Ren 39. (Poster) The Fiberglass Tissue Method: A Technique for Lining Fragile Iron Prior to Desalination Exhibit Hall: Hall 1 (Salt Palace)Christina Altland • Kate McEnroe • Christina Altland 42. (Poster) What Do You Do with a Wasp Nest! Combining Disciplines to Find Appropriate Treatments and Mounting of these Little Researched Objects. Exhibit Hall: Hall 1 (Salt Palace)Kayleigh Spring • Kayleigh Spring 43. (Poster) Embracing the Challenges of an Unexpected Environment for Unique Cement Lanterns at the Topaz Museum in Delta, Utah Exhibit Hall: Hall 1 (Salt Palace)Kimberleigh Collins-Peynaud • Kimberleigh Collins-Peynaud 44. (Poster) Structural Conservation of Canvas Paintings in Slovak Restoration Practice – The Dilemma Between Tear Mending and Lining. Exhibit Hall: Hall 1 (Salt Palace)Lucia Sefcikova • Lucia Sefcikova 45. (Poster) Pulpable Texture: Using Andrea Peterson’s ABM Board in Book Conservation Exhibit Hall: Hall 1 (Salt Palace)Luke K. Kelly • Luke K. Kelly 46. (Poster) The Use of Paralloid 44 in Completion of Archaeological Glass: Applied Experimental Study Exhibit Hall: Hall 1 (Salt Palace)Mohammad Hefny Abd Elkarim • Hamdy Abd Al-Monem Mohamed • Mohammad Hefny Abd Elkarim 47. (Poster) Anachronistic or Visonary? Evaluating Giovanni di Paolo’s use of Silver Leaf on a Fifteenth-century Sienese Predella Exhibit Hall: Hall 1 (Salt Palace)Molly E. Hughes-Hallett • Molly E. Hughes-Hallett 49. (Poster) The Unexpected Challenges: Scientific Preservation and Exhibition of Tutankhamun's Textiles at the Grand Egyptian Museum Exhibit Hall: Hall 1 (Salt Palace)Mohamed Ayad • NagmElDeen Hamza • Mohamed Ragab • Islam Shaheen • Islam Shaheen 50. (Poster) Observations in Micro-Air Abrasion: Removing Lead Paint and Corrosion, and Considerations for Recoating a “Life Car” Exhibit Hall: Hall 1 (Salt Palace)Nicole Peters • Nicole Peters 51. (Poster) Selective Permeability Pouches: An Innovative Long-Term Storage Solution For Radioactive Material In Museum Collections Exhibit Hall: Hall 1 (Salt Palace)Katerina Acuna • Olav Bjornerud • Lesley Mirling • Katerina Acuna • Olav Bjornerud 52. (Poster) The Third Devil: Reconstructing Elements of an Altered 18th Century Cuzco School Painting Exhibit Hall: Hall 1 (Salt Palace)Jocelyn Hillier • Patricia Smithen • Jocelyn Hillier 53. (Poster) An Applied Study of The Effect of Using Laser on An Archaeological Cartonnage In Egyptian Museum, Cairo Exhibit Hall: Hall 1 (Salt Palace)Raghda Mahmoud • Raghda Mahmoud 55. (Poster) Becoming and Abiding: Partnering in the Conservation of Two Contemporary Thangkas Exhibit Hall: Hall 1 (Salt Palace)Ella Andrews • Brittany Dolph Dinneen • Buchung Nubgya • Renée Stein • Howard Sutcliffe • Ella Andrews • Renée Stein 56. (Poster) Why Can’t We Be Friends? Technical Analysis and the Disputed Authorship of a Sixteenth-Century Italian Altarpiece Exhibit Hall: Hall 1 (Salt Palace)Ruth Waddington • Ruth Waddington 58. (Poster) Extracting the Wax-Resin from Mark Rothko’s The Green Stripe, 1955: A Review of Results, Achievements, and Cautions Exhibit Hall: Hall 1 (Salt Palace)Desirae Dijkema • Bradford Epley • Sara Kornhauser • Anne Schmid • Desirae Dijkema • Bradford Epley 60. (Poster) Diagnostic Techniques Used on a Bronze Incense Burner from the Middle Kingdom Period at The Grand Egyptian Museum Conservation Center (GEM-CC) Utah Museum of Fine ArtsShaimaa Hemid • Mamdouh Tahoun • Shaimaa Hemid 61. (Poster) When Art Meets Science: Establishing Cooperative Conservation and Exhibition with the Antique Machine Collections from Chimei Museum and National Science and Technology Museum Exhibit Hall: Hall 1 (Salt Palace)Cheng-Chung Huang • Shu-Han Yeh • Tui-Chen Yen • Cheng-Chung Huang 62. (Poster) A Foray Into Fungal Dyes Exhibit Hall: Hall 1 (Salt Palace)Steph Guidera • Heather Hodge • Kathleen Martin • Steph Guidera • Heather Hodge • Kathleen Martin 63. (Poster) Book Odor Removal: A Comparison of Techniques Exhibit Hall: Hall 1 (Salt Palace)William Minter • William Minter 64. (Poster) Quilted Book Cozy Exhibit Hall: Hall 1 (Salt Palace)William Minter • Catherine Orochena • William Minter 65. (Poster) Structural Treatments of Textile Supports: Tear Repair of A Church Painting In 1889 -- The Use of Low Cost Heated Needle Exhibit Hall: Hall 1 (Salt Palace)Wing yi Cheung • Wing yi Cheung
 
Saturday, May 25
 

TBA

9:00am MDT

 

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