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8:30am • (Objects) The Surrealist and the Saint: A Two-Sculpture Journey into Marisol and the 1960s
9:00am • (Objects) A Flare for the Unexpected: Incendiary Devices in the Collection of the Mariners’ Museum and Park
9:30am • (Objects) The (Inherent) Vices and Virtues of A Dreamscape Parchment Paravent By Mohamed Zouzaf
10:30am • (Objects) Preservation Efforts along Totem Trail at Sitka National Historical Park: Navigating Climate Change, Tourism, and the Global Pandemic
11:00am • (Objects) Bones, Epoxy, and Cotton Balls, Oh My!: The Treatment of Two Thornton Dial Artworks
11:30am • (Objects) Adventures in (Re)Constructing and Conserving a Thai Thammat
2:00pm • (Concurrent: Care, Empathy, and Community Building) Developing a More Diverse Future for the Field of Conservation through a Train-the-Trainer Initiative
2:30pm • (Concurrent: Care, Empathy, and Community Building) The Conservator and the Seven Stages of Grief
3:00pm • (Concurrent: Care, Empathy, and Community Building) Teaching Empathy in Conservation to Prioritize People
4:00pm • (Concurrent: Questioning our Assumptions) Demystifying Our Metadata: Making Conservation Documentation Accessible In The Digital Library At The University of Illinois
4:30pm • (Concurrent: Questioning our Assumptions) What Does the Box Say? Improving Enclosure Design and Labeling as a Result of User Research
5:00pm • (Concurrent: Questioning our Assumptions) The Conundrum of Accepted Assumptions from Thousands of Tested Book Papers
10:30am • (Architecture, Preventive Conservation) Differential Durability: Could Deterioration Be Hidden Within Your Wall Assembly?
11:00am • (Architecture, Preventive Conservation) Revealing Hidden Threats: Monitoring Ambient Air Quality to Preserve Silver Treasures in the 15th-Century Mehrangarh Fort Museum, Jodhpur, India
11:30am • (Architecture, Preventive Conservation) When The Art's In The Way: The Complex Nature of Moving Large-Scale Artefacts and Public Art
2:00pm • (Concurrent: Corporal Materials in Art) Ethical and Practical Considerations in the Collection and Conservation of Insignia III by Carlos Martiel
2:30pm • (Concurrent: Corporal Materials in Art) Corporal Materials In Contemporary Art: Multimodal Analysis of an Exudating Human Fat-and-Wax Pillar
3:00pm • (Concurrent: Corporal Materials in Art) Collaboration Through Repatriation: How International Repatriation Efforts at the Fowler Museum at UCLA Initiated Community Involvement, Shared Decision-Making, Challenges and Surprises
4:00pm • (Concurrent: Changing Thoughts, Changing Practices) Contemporary Art Conservation in New York City's Art Market Environment
4:30pm • (Concurrent: Changing Thoughts, Changing Practices) Bridging the Intangible: Two Generations of Chinese Painting Conservators
5:00pm • (Concurrent: Changing Thoughts, Changing Practices) One Cannot Plan for the Unexpected: Problem Solving during the Major Reinstallation of the Princeton University Art Museum
