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Room 251 (Salt Palace) [clear filter]
Thursday, May 23
 

12:00pm MDT

(Luncheon) The Evolving Use of Leather in Conservation (+ $39 / $29)
Collaborative projects have the potential to uncover new perspectives and the ongoing exploration of leather by the Leather Discussion Group (LDG) is no exception. The group, established in 2016 to discuss the effects of leather dyes on leather, has evolved into a much larger project with many facets. What started as a discussion among a small group of book conservators now includes conservators in multiple disciplines as well as leather researchers, suppliers, and leatherworkers in both the US and Europe. The group has learned a great deal about the ways in which people view leather, the philosophies behind its use, and how variations in training and region affect outlooks.

Additionally, recent broad-scale explorations of health and safety concerns, sustainability, and the environmental impact of leather production have led to a reduction in leather use due to a need to perform more research in some of these areas. This, combined with a need for further research on the long-term effects of recent leather treatments and the relative longevity of modern skins compared to traditional (stable) and industrial age (highly unstable) skins has tabled leather use in many cases where this is of paramount importance. Meanwhile, explorations of non-traditional leathers and leather substitutes have added new aspects to the practice that also need further study to establish their relatively stability, or lack thereof, in comparison to traditional leather. The project has led to many surprising discoveries and unearthed copious avenues for future collaborative study, such as with experimental tanning and metagenomic testing. From explorations of the potential effect of animal husbandry on skin quality to historic leather testing methods, research into various aspects of leather longevity is nothing new.

Shifting institutional and client priorities play a large role in the place leather has in any given setting. Where it was once ubiquitous as a bookbinding material, changes in the tanning process, ostensible longevity issues, training, and the availability of alternative materials have created a divide between typical institutional and private client trends. Institutional focus on rehousing or minimal treatment is economical yet often fails to return a book to its fully functioning potential. Meanwhile, individual clients often opt for more leather use with future handling in mind.

Come join the Leather Discussion group and our invited panelists for a lunchtime overview of the most recent undertakings in this explorative project. Among topics to be discussed are the group’s experimental tanning project designed to assess modern leathers’ microbial characteristics in differing tanning environments, the ways previous conservation treatments affect leathers’ conditions, and the launch of a georeferenced database intended to serve as a global repository for past, current, and future leather use and research.

Speakers
avatar for Holly Herro

Holly Herro

Book and Archives Conservator, NIH History & Stetten Museum
Holly Herro has been involved in conservation as a rare book and manuscripts conservator for over thirty years. She recently retired from the National Library of Medicine on the National Institutes of Health (NIH) campus in Maryland. For almost fifteen years, she oversaw the Conservation... Read More →
avatar for Katharine Wagner

Katharine Wagner

Senior Book Conservator, Smithsonian Institution
Katie Wagner is a Senior Book Conservator with the Smithsonian Libraries and Archives working primarily with the rare books. She was a founding member of the Preparedness and Response in Collections Emergencies (PRICE) team. She has participated in the Leather Discussion Group since... Read More →
avatar for Kristi Wright

Kristi Wright

Book Conservator, Private Practice
Kristi Wright, principal of Wright Conservation & Framing in Front Royal, Virginia, specializes in book and paper conservation. She has participated in the Leather Discussion Group since its inception. Work on this presentation was done as a contract conservator for the National Library... Read More →
avatar for Laura Weyrich

Laura Weyrich

Associate Professor of Anthropology and Bioethics, Penn State University
avatar for René Larsen

René Larsen

Head of Board, Researcher Emeritus, Conservation Zealand - Knowledge Center for Conservation of Cultural Heritage
avatar for William Minter

William Minter

Senior Book Conservator, Penn State U Libraries
In 2014 Bill was hired as the Senior Book Conservator for the Penn State University Libraries, a position funded by a challenge grant from the Andrew W. Mellon Foundation.

Sponsors
avatar for Northeast Document Conservation Center

Northeast Document Conservation Center

Founded in 1973, NEDCC is the first independent conservation laboratory in the United States to specialize exclusively in treating collections made of paper or parchment, such as works of art, photographs, books, maps, manuscripts, etc. NEDCC is incorporated as a nonprofit in order... Read More →


Thursday May 23, 2024 12:00pm - 2:00pm MDT
Room 251 (Salt Palace)
 
Friday, May 24
 

8:15am MDT

(General) Expectations and Realities: The State of Emerging Professionals in the Field
Wake up with a star-studded cast of conservators and discuss the state of emerging conservators at all levels and ways to improve and keep moving on Friday, May 24th, 2024 at the AIC Annual Meeting in Salt Lake City.

Breakfast will be available before the session courtesy of Naoma Tate. Stop by the breakfast station on your way into the room.

As a reminder, maybe you participated in one of the three surveys painfully crafted and sent out by your hosts and their irreplaceable squad (names at the end)? Maybe you are or recently were an emerging conservator and are encouraged by some recent changes and/or frustrated by continuing concerns? If any of these things are true, and even if you’ve been emerged for a while, this session is for you.

Our program will feature speakers followed by larger discussion-based panels related to 1) the current state of emerging professionals, 2) the recent changes to formal training programs, and 3) periods of transition from one career stage to another. We hope for participation from attendees as well and will be soliciting feedback before, during, and after the event.

Session Outline
Introduction: A session introduction and quick survey result overview will be given by Michaela Paulson & Stephanie Guidera.

Session 1: This introduction will also include a moderated panel consisting of 6 Emerging Conservation Professional (ECPs) panelists to discuss current thoughts and concerns of emerging professionals. Topics covered will include compensation, efficacy of training, employer and program expectations, equity in opportunities, accessible (and non-accessible) pathways, the role of AIC, and more.

Panelists: Ella Andrews, Nylah Byrd, Minyoung Kim, Rebecca Rosen, Sarah Freshnock, Nora Bloch

Session 2: Kaeley Ferguson and Katharine Shulman will then share their experiences as students during the COVID-19 pandemic, transitioning us into the theme of education and training.

The second moderated panel will discuss current training and internship practices within the U.S., focusing on how things have (or have not) changed recently, success stories, and areas for growth. Insights on mentor/mentee relationships, training practices and expectations, core competencies, and more - from both sides - will be shared.

Panelists: Angie Elliott, Lauren Fair, Casey Mallinckrodt, Kaeley Ferguson, Katharine Shulman

Session 3: Ellen Carrlee will talk to us about her career path, transitioning us into the theme of career stages in the field, followed by a third moderated panel talking about unions, private practice, and career transitions. Compensation, advancement opportunities, and the role of AIC will also be discussed.

Panelists: Samantha Springer, Jen Munch, Elena Bowen, Stephanie Hornbeck, Greg Bailey, Ellen Carrlee

Closing: Fran Ritchie & Ameya Grant will end the session with “We were wrong about: lesson learned,” a conversational presentation focused on action items based on their mentor/mentee relationship.

We look forward to broadly sharing what is working, collectively brainstorming on how to make things better, and having honest conversations about what desperately needs to change.

If you can’t make it in person or virtually, please know all of the information from this session - including results of the surveys (and more!) - will be synthesized into a report to be released at a later date.

Thank you for your time and attention and support/constructive criticism.

Annabelle Camp
Kaeley Ferguson
Kacey Green
Stephanie Guidera
Michaela Paulson
Caitlin Gozo Richeson
Ashley Stanford
Caroline Shaver
Keara Teeter
Céline Wachsmuth

Moderator
avatar for Steph Guidera

Steph Guidera

Objects Conservator, North Carolina Museum of History
Stephanie Guidera (she/her) is an Objects Conservator at the North Carolina Museum of History. She holds a Masters of Art and Certificate of Advanced Study in Art Conservation from the Patricia H. and Richard E. Garman Art Conservation Department at SUNY Buffalo State College. Steph... Read More →
avatar for Michaela Paulson

Michaela Paulson

Project Conservator, Penn Museum
Michaela Paulson is currently a Project Conservator at the Penn Museum working on the preservation of monumental limestone architectural components for the Egypt and Nubia galleries. Previously she was an Assistant Conservator at the American Museum of Natural History, working with... Read More →

Speakers
avatar for Angela Elliott

Angela Elliott

Terry Drayman-Weisser Head of Objects Conservation and William B. Ziff, Jr. Conservator of Objects, The Walters Art Museum
Angie Elliott is the Terry Drayman-Weisser Head of Objects Conservation and the William B. Ziff, Jr. Conservator of Objects at the Walters Art Museum, specializing in art of the Ancient Americas. She earned her M.A. and Certificate of Advanced Studies from Buffalo State College in... Read More →
avatar for Casey Mallinckrodt

Casey Mallinckrodt

Head Conservator, Denver Museum of Nature and Science
Casey Mallinckrodt received a MA in conservation at the UCLA/Getty Program in Conservation of Archaeological and Ethnographic Materials and previously received a MFA from Yale University. She has been a Kress Fellow in Object Conservation at the Museum of Fine Arts Boston and worked... Read More →
avatar for Ella Andrews

Ella Andrews

Andrew W. Mellon Fellow in Objects Conservation, Michael C. Carlos Museum, Emory University
Ella Andrews is the Andrew W. Mellon Advanced Fellow in Objects Conservation at Emory University’s Michael C. Carlos Museum. She received an M.S. in Conservation for Archaeology and Museums and an M.A. in Principles of Conservation from University College London subsequent to a... Read More →
avatar for Ellen M. Carrlee

Ellen M. Carrlee

Conservator, Alaska State Museum
Ellen Carrlee received an M.A. in Art History and Diploma in Conservation from New York University in 2000, specializing in ethnographic and archaeological objects. She then completed a Mellon Fellowship at the National Museum of the American Indian. Her research there, “Does Low... Read More →
avatar for Fran E. Ritchie

Fran E. Ritchie

Conservator (Objects), Harpers Ferry Center, National Park Service
FRAN RITCHIE is an objects conservator who specializes in natural science materials and historic artifacts. Prior to her current position at the National Park Service Harpers Ferry Center, she worked in the Natural Science Collections Conservation Lab and the Anthropology Objects... Read More →
avatar for Gregory Bailey

Gregory Bailey

Senior Objects Conservator, The Walters Art Museum
Gregory Bailey graduated in 2011 from Buffalo State College with an M.A. and C.A.S. in Art Conservation with a focus on the conservation of objects. Since that time, he has been awarded a Kress Fellowship at the Metropolitan Museum of Art and a Mellon Fellowship at the Walters Art... Read More →
avatar for Jen Munch

Jen Munch

Conservator, Jen Munch Art Conservation
Jen Munch (she/her) is the owner of Jen Munch Art Conservation, a New York City-based private practice providing conservation services for modern and contemporary paintings. This firm serves a diverse clientele including artists, artists’ estates and foundations, galleries, museums... Read More →
avatar for Kaeley Ferguson

Kaeley Ferguson

Paper and Book Conservator, Harry Ransom Center
Kaeley Ferguson is the Paper and Book Conservator for the Campus Conservation Initiative at the Harry Ransom Center and the University of Texas at Austin. While getting her bachelor’s degree in Chemistry at Boston University, she discovered art conservation and was eager to learn... Read More →
avatar for Katharine Shulman

Katharine Shulman

Objects Conservator, Art Institute of Chicago
Katharine Shulman is an Assistant Objects Conservator at the Art Institute of Chicago. She learned about conservation in a high school art history class and from that point forward there was no looking back! Katharine earned her BA in Art Conservation from Scripps College, and her... Read More →
avatar for Lauren Fair-[PA]

Lauren Fair-[PA]

Conservator of Objects and Affiliated Faculty, Winterthur Museum, Garden & Library
2010 graduate of the Winterthur/University of Delaware Program in Art Conservation with a specialty in objects. Completed third year internship at the Sherman Fairchild Center for Objects Conservation at the Metropolitan Museum of Art. 2010-2011 completed post-graduate Kress fellowship... Read More →
avatar for Nylah Byrd

Nylah Byrd

Assistant Conservator of Objects and Program Assistant, Balboa Art Conservation Center (BACC
Nylah received her B.A. with Honors in Archaeology from Stanford University in 2018 and my M.S. in Art Conservation from the Winterthur/ University of Delaware Program in Art Conservation in 2022. She is a Core Group co-chair of the AIC Ethics Core Documents Revision Task Force and... Read More →
avatar for Rebecca Rosen

Rebecca Rosen

Graduate Fellow (Class of 2027), NYU Institute of Fine Arts, Conservation Center
avatar for Samantha Springer

Samantha Springer

Owner and Principal Conservator, Art Solutions Lab
Samantha Springer established Art Solutions Lab in 2020 in the Portland, Oregon area to provide preventive care and treatment services to regional arts and culture organizations, artists, and private collectors. Her practice grows from her MS attained at the Winterthur/University... Read More →
avatar for Sarah Freshnock

Sarah Freshnock

Preventive Conservator, The Walters Art Museum
Sarah Freshnock is the Preventive Conservator at the Walters Art Museum. She graduated from the Winterthur University of Delaware Program in Art Conservation with a specialization in preventive conservation. During graduate school she held internships in museums, historic homes, regional... Read More →
avatar for Stephanie Hornbeck

Stephanie Hornbeck

National Preservation Program Officer, National Archives and Records Administration
Stephanie E. Hornbeck is an art conservator and program officer, whose work involves interdisciplinary collaboration with preservation professionals to advance the preservation and safeguarding of cultural heritage. As National Preservation Program Director at the National Archives... Read More →


Friday May 24, 2024 8:15am - 10:15am MDT
Room 251 (Salt Palace)

12:00pm MDT

(Luncheon) CIPP Panel on Early Career Conservators and Private Practice Work (+ $39 / $29)
This lunch session will include a discussion about emerging/early career conservators and their work in private practice. This is a unique opportunity for you to learn from an informal panel of early career professionals in dialogue with established CIPP members. During the panel, we'll hear about their experiences working in private conservation studios during pre-program, graduate school, and post-graduate school internships. We'll also learn what students seek in private practice placements and how these experiences have influenced their career goals. Following the panel, there will be a Q&A session where we'll explore how we can facilitate connections between early career conservators looking for private practice experience and established studios looking to host interns.

To show our appreciation for our ECPN membership and to encourage participation and engagement with our ECPN colleagues, we'll be offering a significant reduction in the cost of the lunch for ECPN members. We value your contribution to our community and hope this offer will make your participation in the lunch session even more rewarding.

Moderator
avatar for Lauren Fly

Lauren Fly

Conservator and Collections Manager, Fly Arts Initiative
Lauren Fly is the founder of the Fly Arts Initiative, a fine art conservation and collections management practice based in New York City. After training at New York University’s Institute of Fine Arts’ Conservation Center, she completed her postgraduate work in the Conservation... Read More →

Speakers
avatar for Ashley Stanford

Ashley Stanford

Graduate Fellow (Class of 2024), Winterthur/University of Delaware Program in Art Conservation
Ashley is a current Graduate Fellow in the Winterthur/University of Delaware Program in Art Conservation (WUDPAC), class of 2024, majoring in photograph conservation and minoring in paper conservation. She is spending her third-year internship placements split between the Museum of... Read More →
avatar for Josephine Ren

Josephine Ren

Graduate Fellow (Class of 2024), SUNY Buffalo State University
Josephine Ren is a Class of 2024 graduate fellow in paintings conservation at the SUNY Buffalo State University Garman Art Conservation Department. She is currently completing her third-year internship at the Fine Arts Museums of San Francisco. Previously she held graduate internships... Read More →
avatar for Kaela Nurmi

Kaela Nurmi

Conservation Fellow, Glenstone
Kaela Nurmi (she/her) is the Conservation Fellow at Glenstone in Potomac, Maryland. She holds an M.A. and C.A.S in Art Conservation from SUNY Buffalo State University with a specialization in objects and a B.A. in Art Conservation from Scripps College. She serves as the Contemporary... Read More →
avatar for Katya Madrid

Katya Madrid

Founder / Conservator, Red Dragon Conservation
I was born in St. Petersburg, Russia, to a family of artists and intellectuals, and so have been surrounded by art my whole life.   I earned a Bachelors of Art in Film from Boston University's distinguished School of Journalism. Years later, I went back to school to study art history... Read More →
avatar for Leslie Vilicich

Leslie Vilicich

Conservation Technician, Private Practice
avatar for Sarah Montonchaikul

Sarah Montonchaikul

Assistant Conservator, Monumenta Art Conservation and Finishing, LLC
Sarah Montonchaikul is the Assistant Conservator at Monumenta Art Conservation and Finishing. She earned an M.S. in the conservation of historic and artistic works and an M.A. in art history from the Conservation Center at the Institute of Fine Arts (New York University). Sarah held... Read More →


Friday May 24, 2024 12:00pm - 2:00pm MDT
Room 251 (Salt Palace)

4:00pm MDT

(Closing General Session) 7th Annual Mistakes Session
Join us to close our meeting together with our 7th Annual Mistakes session. We will have small nibbles and a cash bar as we close the meeting together. Kari Rayner will open the session, then eight people will present their topics:
  • Ingrid Neuman, "A collections care - less story"
  • Catherine Cooper, "Why did my Fossils Change Color? Sample Degradation During a Research Delay"
  • Steve Koob, "3 Mistakes that I made preparing Paraloid B-72 as an adhesive"
  • Anikó Bezur, "Much more than zero: Mistakes that led to the world’s most expensive XRF zero background plate"
  • Jennifer Clarvoe, "Failure"
  • Tony Sigel, "Accidents Waiting to Happen"
  • Madeline Corona, "How Not to Freeze Webbing Clothes Moths"
  • Ellen Carrlee, "An Emerging Professional Blunder"
Tony Sigel will close the session and bid everyone farewell.

Speakers
avatar for Aniko Bezur-[PA]

Aniko Bezur-[PA]

Professional Associate, Wallace S. Wilson Director of Scientific Research
Anikó Bezur received a Ph.D. in Materials Science and Engineering from the University of Arizona. As a doctoral candidate, she completed internships at the Arizona State Museum's Conservation Laboratory, the Smithsonian Institution's Museum Conservation Institute, and the Getty Conservation... Read More →
avatar for Ellen M. Carrlee

Ellen M. Carrlee

Conservator, Alaska State Museum
Ellen Carrlee received an M.A. in Art History and Diploma in Conservation from New York University in 2000, specializing in ethnographic and archaeological objects. She then completed a Mellon Fellowship at the National Museum of the American Indian. Her research there, “Does Low... Read More →
avatar for Ingrid Neuman

Ingrid Neuman

Senior Conservator, RISD Museum
avatar for Kari Rayner

Kari Rayner

Associate Conservator, J. Paul Getty Museum
Kari Rayner is an Associate Conservator of Paintings at the J. Paul Getty Museum. She graduated in 2015 from the Conservation Center of the Institute of Fine Arts at New York University with an MA in art history and Advanced Certificate in conservation. Kari held various internships... Read More →
avatar for Madeline Corona

Madeline Corona

Conservator, J. Paul Getty Museum
Madeline is an Assistant Conservator of Decorative Arts and Sculpture at the J. Paul Getty Museum. She earned her M.S. from the Winterthur/University of Delaware Program in Art Conservation where she specialized in objects conservation with a concentration in conservation science... Read More →
avatar for Tony Sigel

Tony Sigel

Conservator of Objects and Sculpture, Independent Conservator
Tony Sigel is an independent conservator specializing in the treatment and study of objects, sculpture and archaeological material. He spent thirty years at the Straus Center for Conservation, Harvard Art Museums as senior conservator of objects and sculpture, leaving in 2022. He... Read More →


Friday May 24, 2024 4:00pm - 6:00pm MDT
Room 251 (Salt Palace)
 

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