AIC's 52nd Annual Meeting has ended

Create Your Own Event

AIC's 52nd Annual Meeting

This schedule is a draft. Events may change at any time. Click the links below to manage your conference experience. Adding events to your personal schedule does not reserve a space for you.

Register | Add Tickets | Book Hotel

arrow_back View All Dates

6:45am MDT

(Wellness) Yoga Salon J (Marriott at City Creek)

8:15am MDT

(Workshop) Respirator Fit Test (+ $39) Room 257 B (Salt Palace)

8:30am MDT

(Poster and Book & Paper Sessions) Analysis and Assessment of the Degradative Properties of Strawboard as a Secondary Support Room 155 BC (Salt Palace)Rebecca Ploeger • Theresa J. Smith • Aaron Shugar • Jenni Krchak • Jenni Krchak (Contemporary Art) Poured Color: The Pigmented Latex Rubber Artwork of Lynda Benglis Room 355 B (Salt Palace)Christina Bisulca • Elizabeth Homberger • Margo Delidow • Margo Delidow (Electronic Media) The Migration of Gary Hill’s Interactive Video Installation Tall Ships (1992) Room 255 D (Salt Palace)Samantha Owens • Cass Fino-Radin • Daniel Mauro • Cass Fino-Radin • Daniel Mauro • Samantha Owens (Objects) The Surrealist and the Saint: A Two-Sculpture Journey into Marisol and the 1960s Room 155 EF (Salt Palace)Rebecca Ploeger • Emily Hamilton • Jiuan Jiuan Chen • Aaron Shugar • Ruthie Rolfsmeyer • Ruthie Rolfsmeyer (Paintings) Blurred Lines: Techniques, Materials, and Ethical Considerations in Conserving the Hard-Edge Paintings of Leon Polk Smith Room 255 BC (Salt Palace)Kelsey Marino • Elizabeth Nunan • Kaitlin Ammon • Elizabeth Nunan (Research & Technical Studies) Advancing Conservation Techniques Through Deep Learning of Optical Coherence Tomography Images For Classifying Kozo-Fibered Papers Room 355 EF (Salt Palace)Yi Yang • Sarah Reidell • Ayush Kale • Yuwei Liu • Xuan Liu • Yi Yang (Sustainability) A Toolbox for Spurring Climate Action Room 355 C (Salt Palace)Amy Crist • Roxane Sperber (Textiles) Treatment in Reality: The Conservation of an 18th Century Painted Silk Gown from the Collection of Asian Civilisations Museum, Singapore Room 255 A (Salt Palace)Chuance Chen • Chuance Chen

8:45am MDT

(Book & Paper and Poster) The Production and Deformation of Drying Boards Room 155 BC (Salt Palace)Yi-Chiung Lin • Ting-Fu Fan • Ting-Fu Fan • Yi-Chiung Lin

9:00am MDT

(Book & Paper and Poster) Soft Clouds: Material Analysis of Historical Paste Papers from the Rosamond B. Loring Collection of Decorated Papers Room 155 BC (Salt Palace)Debora Mayer • Mitchel Gundrum • Kelli Piotrowski • Mitchel Gundrum (Contemporary Art) Preservation of the Plastic Objects in the Harvard Art Museums’ Fluxus Collection Room 355 B (Salt Palace)Susan Costello • Georgina Rayner • Susan Costello (Electronic Media) A Changing Solution For Ever-Changing Challenges: Photoflicks and Photofictions By Lucas Samaras Room 255 D (Salt Palace)Shu-Wen Lin • Joshua Churchill • Mark Hellar • Joshua Churchill • Shu-Wen Lin (Objects) A Flare for the Unexpected: Incendiary Devices in the Collection of the Mariners’ Museum and Park Room 155 EF (Salt Palace)Erik R. Farrell • Erik R. Farrell (Paintings) Called to Create/Called to Conserve: An Auxiliary Support for a Painting on Plywood, Birdman Trainer by Joe Light Room 255 BC (Salt Palace)Sue Ann Chui • Derek Lintala • Sue Ann Chui • Derek Lintala (Photographic Materials) The Complex Light and Dark Storage Stability Behaviors of Different Dye-Sublimation Inksets Printed on Chromaluxe Standard (“Indoor”) and Ext (“Outdoor”) Coated Aluminum Panels (often... Room 255 E (Salt Palace)Henry Wilhelm • Henry Wilhelm (Research & Technical Studies) Wood Identification in Historic Furniture: Optimization of Machine Learning Approaches for Processing LIBS and Py-GC/MS Data Room 355 EF (Salt Palace)Richard R. Hark • Randy Wilkinson • John Stuart Gordon • Patricia Kane • Chandra Throckmorton • Richard R. Hark (Sustainability) Building a Climate of Hope: Developing Climate Exhibits for Shared Engagement and Learning Room 355 C (Salt Palace)Lisa Thompson • Dr. Lynne Zummo (Textiles) From Dust to Display: Collaborative Re-Assembly of an Object Received With Damage Room 255 A (Salt Palace)Haddon Dine • Megan Creamer • Andrew Talley • Megan Creamer

9:15am MDT

(Book & Paper and Poster) Repairing Modern First Edition Dust Jackets Without Fills or Inpainting: A Conservative Approach Room 155 BC (Salt Palace)Christopher Sokolowski • Christopher Sokolowski

9:30am MDT

(Book & Paper) POV: An Archives Conservation Lab’s Efforts in Reaching Out and Levelling Up Room 155 BC (Salt Palace)Cassandra Tang • Sanira Beevi • Ayaka Ajiki • Ayaka Ajiki • Cassandra Tang (Contemporary Art and Poster) Plastilina, Plastiline, Plasticine: A Study of the First Industrial Modeling Pastes Invented at the End of the 19th Century Room 355 B (Salt Palace)Sonia Tatiana J. Fraj • Sonia Tatiana J. Fraj (Research & Technical Studies and Poster) Plastics Bingo!: Identifying Plastics in the Collections of Cooper Hewitt, Smithsonian Design Museum Room 355 EF (Salt Palace)Sarah Barack • James Hughes • Jessica Walthew • James Hughes (Electronic Media) Tending to Time-Based Media Art in Aotearoa, New Zealand Room 255 D (Salt Palace)Asti Sherring • Asti Sherring (Objects) The (Inherent) Vices and Virtues of A Dreamscape Parchment Paravent By Mohamed Zouzaf Room 155 EF (Salt Palace)Kathryn Boodle • Terra L. Huber • Kathryn Boodle (Paintings) From D-List to the A-List: Embracing Maria Luigia Raggi’s Unexpected Painting Supports Room 255 BC (Salt Palace)Blair Bailey • Robert Simon • Daniela Molinari • Blair Bailey (Photographic Materials) Seeing The Invisible: on Multispectral Imaging of Photographs Room 255 E (Salt Palace)Anna Seweryn • Tomasz Łojewski • Anna Seweryn (Sustainability) AIC and FAIC’s Commitment to Sustainability Room 355 C (Salt Palace) (Textiles) Surprising Sophistication: The Colorful Textiles of Karanis, Egypt Room 255 A (Salt Palace)Suzanne Davis • Caroline Roberts • Laurel Fricker • Suzanne Davis

9:45am MDT

(Book & Paper and Poster) A New Technique for Strengthening of Naturally Degraded Acidic Paper with Cellulose Fibers Coating Room 155 BC (Salt Palace)Naoko Sonoda • Takayuki Okayama • Ryota Kose • Masazumi Seki • Yuki Tanaka • Ryota Kose (Contemporary Art) Embracing Angel's Orbit: Replication as a Tool for Preservation of the Integral Hologram Angel by Simone Forti and Lloyd Cross Room 355 B (Salt Palace)Markéta Krausová • Evelyne Snijders • Markéta Krausová (Research & Technical Studies) Investigating Hydrogel Desalination of Egyptian Limestone Objects Using NMR-Mouse Spectroscopy Room 355 EF (Salt Palace)Garrett Hill • Margaret MacDonald • Mollie Crossman • Riley Cox • Maggie Wang • Maggie Wang

10:00am MDT

Break in The Exhibit Hall Exhibit Hall: Hall 1 (Salt Palace) (Poster Session) May 22-23, 10 am to 5:30 pm - Abstracts listed at the end of the schedule for readability only Exhibit Hall: Hall 1 (Salt Palace)

10:30am MDT

(Architecture, Preventive Conservation) Differential Durability: Could Deterioration Be Hidden Within Your Wall Assembly? Room 255 F (Salt Palace)Cameron Moon • Cameron Moon (Book & Paper) Starr-Crossed or Serendipitous? The Unexpected Move of Columbia University’s C.V. Starr East Asian Library Room 155 BC (Salt Palace)Rachael Arenstein • Eugenie Milroy • Alexis Hagadorn • Emily Lynch • Emily Holmes • Morgan Adams • Emily Lynch • Eugenie Milroy (Contemporary Art) Does The Nose Know? Challenges and Successes During a Study of Montien Boonma’s House of Hope Room 355 B (Salt Palace)Lynda Zycherman • Kyna Biggs • Catherine H. Stephens • Soon Kai Poh • Catherine H. Stephens (Electronic Media) The Landscape of Blockchain-Based Art Preservation: Risk Assessment of 81 Horizons by Rafaël Rozendaal Room 255 D (Salt Palace)Olivia J. Schoenfeld • Ellen Jansen • Olivia J. Schoenfeld (Objects) Preservation Efforts along Totem Trail at Sitka National Historical Park: Navigating Climate Change, Tourism, and the Global Pandemic Room 155 EF (Salt Palace)Curtis Sullivan • Al Levitan • Casey Oehler • Nicole Peters • Nicole Peters (Paintings) Experiments With Vinyl Paint: Technical Analysis of Two Paintings By Lancelot Ribeiro Room 255 BC (Salt Palace)Patricia Smithen • Patricia Smithen (Photographic Materials) Identifying Material Similarities Between The Photographs of Lola Álvarez Bravo and Tina Modotti Room 255 E (Salt Palace)Katherine Mintie • Cynthia Yue • Bryanna Knotts • Bryanna Knotts (Research & Technical Studies) Evaluating the Light-Stability of Roasted Arsenic Sulfide Pigments Room 355 EF (Salt Palace)Katherine Eremin • Celia Chari • Anjali Jain • Jinah Kim • Shao-Liang Zheng • Celia Chari (Textiles) Eco-Friendly Nano Magnetic Sponge Agent and A Multi-Analytical Approach To Assessment The Use of Cross-Linked Polymer Used In Removing Rust Stains From Natural Dyed Protein-Based Textiles Samples. Room 255 A (Salt Palace)Heba saad • Wael Mohamed • Heba saad (Sustainability) Life Cycle Assessment Panel Discussion Room 355 C (Salt Palace)Dr. Matthew Eckleman • Sarah Nunberg • Cassandra Thiel

11:00am MDT

(Photographic Materials) Searching For Treasures: Unidentified Early Color Photographs in Slovakia Room 255 E (Salt Palace)Janka Blaško Križanová ArtD. • Kitti Barathova • Kitti Barathova (Architecture, Preventive Conservation) Revealing Hidden Threats: Monitoring Ambient Air Quality to Preserve Silver Treasures in the 15th-Century Mehrangarh Fort Museum, Jodhpur, India Room 255 F (Salt Palace)Vikram Singh Rathore • Vandana Singh • Sunayana Rathore • Vikram Singh Rathore (Book & Paper Sessions) The Collections Won't Pack Themselves: A Preservation and Special Collections Collaboration Room 155 BC (Salt Palace)Mary Leverance • Sally Crutcher • Estefani Mann • Amber Cooper • Mary Leverance (Contemporary Art) Niki de Saint Phalle’s Tarot Garden: Photogrammetry as an Aid in the Documentation of the Sculpture Park Room 355 B (Salt Palace)Elyse Hamp • Mario Santana Quintero • Caroline Longo • Damiano Aiello • Flavia Perugini • Luigi Barazzetti • Damiano Aiello • Caroline Longo (Electronic Media) An Experiment in Art and Technology: Negotiating with Time in Robert Rauschenberg’s Carnal Clocks Room 255 D (Salt Palace)Christine Frohnert • Reinhard Bek • Adrian Hernandez • Daniella Briceño Villamil • Adrian Hernandez • Daniella Briceño Villamil (Objects) Bones, Epoxy, and Cotton Balls, Oh My!: The Treatment of Two Thornton Dial Artworks Room 155 EF (Salt Palace)Kaela Nurmi • Kaela Nurmi (Paintings) Rediscovering and Restoring The Harvard Art Museum’s Cardona Altarpiece Room 255 BC (Salt Palace)Celia Chari • Cristina Morilla • Alexandra Chipkin • Celia Chari • Alexandra Chipkin • Cristina Morilla (Research & Technical Studies) Using Projection Mapping to Reduce Damage to Light-Sensitive Paintings Room 355 EF (Salt Palace)Alp Durmus • Alp Durmus (Textiles) Novel Synthesis of Nanoparticles-Based Back Coating Flame-Retardant Materials for Historic Textile Fabrics Conservation Room 255 A (Salt Palace)Dina Abd ElGawad • Harby ezz ElDen • Dina Abd ElGawad

11:30am MDT

(Architecture, Preventive Conservation) When The Art's In The Way: The Complex Nature of Moving Large-Scale Artefacts and Public Art Room 255 F (Salt Palace)Kelly Caldwell • Kelly Caldwell (Book & Paper) Wet Recovery: The National Library of Jamaica's Perspective Room 155 BC (Salt Palace)Lisa-Ann Norris • Lisa-Ann Norris (Contemporary Art) The Unexpected at Every Turn: Yve Laris Cohen’s Studio/Theater Room 355 B (Salt Palace)Michele Marincola • Lynda Zycherman • Naomi Kroll • Yve Laris Cohen • Yve Laris Cohen • Michele Marincola (Electronic Media) Restoration of “Chance Words” by Augusto de Campos: The Poem behind the Scenes Written in Flash Code Room 255 D (Salt Palace)Marcela Vieira • Marcela Vieira (Objects) Adventures in (Re)Constructing and Conserving a Thai Thammat Room 155 EF (Salt Palace)Stephanie Hulman • Katharine Shulman • Angela Elliott • Gregory Bailey • Jennifer Mikes • Gregory Bailey • Angela Elliott (Paintings) Case Study: An Alternative To Canvas Lining Room 255 BC (Salt Palace)Oliver Watkiss • Bitzy Couling • Bitzy Couling (Research & Technical Studies) Application of PECVD in the Conservation of Metallic Cultural Heritage Room 355 EF (Salt Palace)Yasmin Sayed Ahmed • Mohamed Soliman Ali Khedr (Textiles) Innovative Conservation Method of Egyptian Historical Textiles By Using Covalently Immobilized Enzymes on Nanoparticles Room 255 A (Salt Palace)Mohamed Elzoghby • Mohamed Hassan • Ahmed Elsepaey • Mahmoud Andaho • Mohamed Elbehery • Harby Ahmed • Sawsan Darwish • Mohamed Elbehery PMG Wiki Meeting Room 255 E (Salt Palace)

12:00pm MDT

(Book & Paper) BPG Wiki Discussion: Conservation of Books and Paper in Historic House Settings Room 155 BC (Salt Palace)Sandrine Blais • Michelle C. Smith (Business Meeting) JAIC Editorial Board Meeting Deer Valley 2-3 (Marriott City Creek) (Luncheon) Health and Safety Network: A Focus on Mental Health (+ $39 / $29) Salon F (Marriott at City Creek)Stephanie Arel • Stephanie Black • Holly Cusack-McVeigh • Mark Wilson (Luncheon) Succession Planning Trends and Tools in Collections and the Arts (+ $39 / $29) Room 355 A (Salt Palace)Tom Clareson • Michelle Eisenberg (Luncheon) The Evolving Use of Leather in Conservation (+ $39 / $29) Room 251 (Salt Palace)Holly Herro • René Larsen • William Minter • Katharine Wagner • Laura Weyrich • Kristi Wright • Northeast Document Conservation Center

12:45pm MDT

(Demo) ClickNetherfield: Anatomy of a Showcase – A Case Study Exhibit Hall: Hall 1 (Salt Palace)ClickNetherfield

1:00pm MDT

Preventive Care Idea Fair Room 355 D (Salt Palace)Tru Vue Inc.

1:15pm MDT

(Demo) EXPM: Anoxia Disinfestation Systems Exhibit Hall: Hall 1 (Salt Palace)Rui Mamede

1:30pm MDT

(Demo) The Spirit Within Australia: The Land and The People Exhibit Hall: Hall 1 (Salt Palace)Craig Huber • Veritas Editions

2:00pm MDT

(Concurrent: 3D Digital Technologies) Cultural Heritage and 3D Printing: State of the Art and the Technology’s Future Room 255 E (Salt Palace)Jae Gutierrez • Meredith Noyes • Lauren Parish • Emma J. Richardson • Meredith Noyes (Concurrent: Care, Empathy, and Community Building) Developing a More Diverse Future for the Field of Conservation through a Train-the-Trainer Initiative Room 155 EF (Salt Palace)Bianca Garcia • Annabelle F. Camp • Bianca Garcia (Concurrent: Corporal Materials in Art) Ethical and Practical Considerations in the Collection and Conservation of Insignia III by Carlos Martiel Room 255 F (Salt Palace)Dana Mossman Tepper • Annabelle F. Camp • Annabelle F. Camp (Concurrent: Embracing Intangible Dimensions) Reconsidering Agency in Conservation Practice: The Role of Devil’s Club Root in the Display of a Tlingit Canoe Prow Room 155 BC (Salt Palace)Amy Tjiong • Amy Tjiong (Concurrent: Imaging Encounters) Surprising Surfaces: Micro RTI For Investigating Cold-Worked Glass Room 255 BC (Salt Palace)Sarah Barack • Jessica Walthew • Sarah Barack • Jessica Walthew (Concurrent: Towards Art in Transit 2.0 Follow-up) Discussion of 2022 Survey on “Vibratory Impacts of Music and Transport on Museum Collections” and summary of pre-session symposium Room 355 EF (Salt Palace)Vincent Beltran • JP Brown • Dale Kronkright • Cayetana Castillo • Kevin Marshal • Kaitlyn Sturgis-Jensen • Mark Ryan • Vincent Beltran

2:30pm MDT

(Concurrent: 3D Digital Technologies) Transforming Cultural Heritage Preservation: The Power of 3D Technology, Bridging Past and Present With 3D Technology In Cultural Restoration, Accessibility, and Museum Mount... Room 255 E (Salt Palace)Chris Hollshwander • Chris Hollshwander (Concurrent: Care, Empathy, and Community Building) The Conservator and the Seven Stages of Grief Room 155 EF (Salt Palace)Marie-lou Beauchamp • Marie-lou Beauchamp (Concurrent: Corporal Materials in Art) Corporal Materials In Contemporary Art: Multimodal Analysis of an Exudating Human Fat-and-Wax Pillar Room 255 F (Salt Palace)Marc Walton • Lynn Lee • Oi Yan Michelle Chan • Michael Schilling • Alessandra Guarascio • Oi Yan Michelle Chan • Lynn Lee (Concurrent: Embracing Intangible Dimensions) Conservation For Communities: A Model For Outreach To Tribal Audiences Room 155 BC (Salt Palace)Megan Brakob Narvey • Rita Walaszek Arndt • Rita Walaszek Arndt • Megan Brakob Narvey (Concurrent: Imaging Encounters) Curious Damage Calls for Surprising Solutions: Catering to the Engineering Curious in the Conservation, Animation, and Preservation of Movable and Pop-Up Books Room 255 BC (Salt Palace)Katie Smith • Katie Smith (Concurrent: Towards Art in Transit 2.0 Follow-up) Panel Discussion on “Crate Performance and Sustainability Room 355 EF (Salt Palace)Dale Kronkright • Arne P. Johnson, PE, SE • Julia Latané • Merv Richard • William Wei

3:00pm MDT

(Concurrent: 3D Digital Technologies) Sculpting Solutions: 3D Technologies for Conservation Problem-Solving Room 255 E (Salt Palace)Sean Billups • Sean Billups (Concurrent: Care, Empathy, and Community Building) Teaching Empathy in Conservation to Prioritize People Room 155 EF (Salt Palace)Andrew Jenks • Nina Owczarek • Nina Owczarek (Concurrent: Corporal Materials in Art) Collaboration Through Repatriation: How International Repatriation Efforts at the Fowler Museum at UCLA Initiated Community Involvement, Shared Decision-Making, Challenges... Room 255 F (Salt Palace)Christian de Brer • Christian de Brer (Concurrent: Embracing Intangible Dimensions) Public Art Stewards: Lessons from a Flagship Training Program Room 155 BC (Salt Palace)Margalit Schindler • Margalit Schindler (Concurrent: Imaging Encounters) Technical Analysis of Inks Used for Scientific Annotations on the Harvard Astronomical Photographic Glass Plate Collection Room 255 BC (Salt Palace)Elena Bulat • Debora Mayer • Arthur McClelland • Thom Burns • Amanda Maloney • Georgina Rayner • Samara Ayvazian-Hancock • Tess Bronwyn Hamilton • Elena Bulat • Thom Burns (Concurrent: Towards Art in Transit 2.0 Follow-up) Panel Discussion on “Transit Logistics” Room 355 EF (Salt Palace)Cayetana Castillo • Scott Pustai • Samantha Springer • Lisa Swedberg

3:30pm MDT

Break in The Exhibit Hall Exhibit Hall: Hall 1 (Salt Palace)

4:00pm MDT

(Concurrent: Imaging Encounters) Below the Surface of Braque's "Pitcher, Candlestick, and Black Fish" Room 255 BC (Salt Palace)Adam Neese • Desirae Dijkema • Desirae Dijkema (Concurrent: 3D Digital Technologies) Primary Results of Using the Scientific Documentation of 3D Laser Scanning and 3D Printing in King Khufu’s Second Boat Reassembling Proposal Room 255 E (Salt Palace)Takeshi Oishi • Mahmoud Ismail • Nour M. Badr • Mohamed El-Seaidy • Masataka Kagesawa • Hiromasa Kurokochi • Kadry Mitwally • Youssef Nabarawy • Ragab Salama • Mamdouh Taha • Sakuji Yoshimura • Eissa Zidan • Mahmoud Ismail (Concurrent: Changing Thoughts, Changing Practices) Contemporary Art Conservation in New York City's Art Market Environment Room 255 F (Salt Palace)Mareike Opeña • Mareike Opeña (Concurrent: Embracing Intangible Dimensions) Museums of the 21st Century: Supporting Indonesian Institutions in a Changing Environment Room 155 BC (Salt Palace)Kristal J. Hale • Dr. Sandra Sardjono • Ajeng Arainikasih • Dr. Christopher Buckley • Dr. Robert Pontsioen • Saiful Bakhri • Saiful Bakhri • Kristal J. Hale (Concurrent: Questioning our Assumptions) Demystifying Our Metadata: Making Conservation Documentation Accessible In The Digital Library At The University of Illinois Room 155 EF (Salt Palace)Jennifer Hain Teper • Quinn Morgan Ferris • Julia Cardinal • Julia Cardinal • Jennifer Hain Teper

4:20pm MDT

(Concurrent: Imaging Encounters) Exploring Variations in Green Pigment Degradation in Early Printed and Hand-Colored Works on Paper Room 255 BC (Salt Palace)Lieve Watteeuw • Yun Liu • Yun Liu

4:30pm MDT

(Concurrent: 3D Digital Technologies) Creating the Black Panther Custom Mannequin from Digital to Physical Room 255 E (Salt Palace)Laura Mina • Zachary Hudson • Matthew Lynn • Willow Collins • Willow Collins • Laura Mina (Concurrent: Changing Thoughts, Changing Practices) Bridging the Intangible: Two Generations of Chinese Painting Conservators Room 255 F (Salt Palace)Grace Jan • Grace Jan (Concurrent: Embracing Intangible Dimensions) Great Salt Lake: Connections Between Fragile Ecology and Heritage Preservation Room 155 BC (Salt Palace)Justine Wuebold • Elisse Brautigam • Elisse Brautigam • Darren Parry • Justine Wuebold (Concurrent: Questioning our Assumptions) What Does the Box Say? Improving Enclosure Design and Labeling as a Result of User Research Room 155 EF (Salt Palace)Lauren Telepak • Meg McMahon • Amanda Hope • Amanda Hope • Lauren Telepak

4:40pm MDT

(Concurrent: Imaging Encounters) Identifying Multispectral Imaging Wavelengths to Create “Recipes” for Analysis of Non-Visible Information on Parchment and Thermal Paper Room 255 BC (Salt Palace)Leah Humenuck • Isabell Moyer • Isabell Moyer

5:00pm MDT

(Concurrent: Changing Thoughts, Changing Practices) One Cannot Plan for the Unexpected: Problem Solving during the Major Reinstallation of the Princeton University Art Museum Room 255 F (Salt Palace)Bart Devolder • Elena Torok • Elena Torok (Concurrent: Embracing Intangible Dimensions) Roundtable Discussion with all the speakers from this track Room 155 BC (Salt Palace) (Concurrent: Questioning our Assumptions) The Conundrum of Accepted Assumptions from Thousands of Tested Book Papers Room 155 EF (Salt Palace)Andrew Davis • Amanda Satorius • Fenella France • Elizabeth Torres • Megan Zins • Andrew Davis • Fenella France

5:45pm MDT

(Reception) Buffalo State & Cooperstown Graduate Program Alumni Reunion Salon G-H (Marriott at City Creek)

6:00pm MDT

(Reception) Dinner at the Utah Museum of Contemporary Art – Reflections on Changing Climate - Cost $70 Utah Museum of Contemporary Art (UMOCA)ClickNetherfield (Reception) Wooden Artifacts Group ($49 /$35 for students) Squatters

6:30pm MDT

Dine Arounds Exhibit Hall: Hall 1 (Salt Palace)

8:00pm MDT

(Reception Afterparty) Drag After Party at WhyKiki Why KiKiAIC Research and Technical Studies Group